As a rule, the women worked to order and by contract, and were paid by the piece. The lace, when finished, was handed over to the local middleman, who, in turn, sold it to the contractors in the cities. The children learned the art from their mother or--more often--from the nuns in the various convent schools. They would enter these schools when six or eight years old, and often remained there till their marriage. The nuns did much to keep up the ancient traditions of the art, and even in their convents in the Far East today they make a point of teaching the native children to copy European laces. There are two kinds of lace, point and pillow. The former is made with a needle, and its characteristic feature is the "set-off" of the flowers. The needle laces, of Belgium are divided into Brussels point, Brussels appliqué, Venice, rose and Burano points. Several classes of workers are needed for each piece--those who make the openwork ornaments and the flowers, and those who apply them on to the background, a very delicate task. Brussels point is the finest example of this form of lace, and indeed of any lace made in Belgium at the present time. The designs are very elaborate, with the flowers often in relief. Modern Brussels point is, however, too frequently an imitation, with flowers sewn on to a machine-made net that is often rather coarse, while the application is done by unskilled fingers. Of pillow lace there are many kinds, and their chief characteristic is the outline of the design. The lace is made on a cushion or pillow which stands on a frame, with little spools or bobbins for the threads, and pins for fixing the lace on the pattern. The best kinds of pillow lace are duchess, Mechlin, and Valenciennes. "Valenciennes the eternal," they called it, because by working fourteen hours a day for a year you made less than half a yard. Marie Therèse had a dress of it which took a year to make and cost fourteen thousand dollars. Considering that the workers received barely a cent an hour, one gets some idea of the magnitude of the task. The Béguinage in Ghent was the headquarters for the manufacture of this lace, but only a few old nuns remain there now who know the secrets of its making. Machine-made imitations flood the market, and the former process is too costly to make it worth any one's while to master it. [Illustration: BRUSSELS POINT LACE.] Mechlin is the Flemish name for the town of Malines, and both words are used in connection with the lace which originated there. Mechlin is the airiest and most exquisite of laces, but its very delicacy made it too costly, and since it could be so easily and cheaply imitated, it is no longer made by hand. It was constructed in one piece, with no application, a flat thread forming the flower and giving it almost the appearance of embroidery. Napoleon, who admired it greatly, cried out when he saw the delicate spire of Antwerp Cathedral that it was like "_la dentelle de Malines_."