The Flemish farmer did most of his work by hand, with no other implement than a spade, which has been called the national tool. The population was so large that human labour was cheaper than animal. In sixteen days a man could dig up an acre of land as well as a horse could plow it. A farmer was able to support himself, his wife and three children, keep a cow and fatten a hog, on two and a half acres. With another acre he had a surplus product to carry to market. A man with a capable wife and children could do all the work on six acres and have time left for outside interests. If he was fortunate enough to have horses they were the pride of his heart and he kept them always finely groomed and in the pink of condition. The women of the country married early, raised large families, and worked hard. They were good managers, especially in the Walloon districts where they often carried on some industry besides their housekeeping. For centuries their chief employment was making lace. The Government established schools of housekeeping, where the girls learned domestic economy in every branch; they were sent to market, for instance, with six cents to buy the materials for a meal, which they afterwards cooked and served. The Government indeed did everything it could to improve conditions in the country districts and to encourage farming. It established schools of agriculture, with dairy classes for the girls, and aided in starting coöperative societies. Its policies were far-seeing and marked by a really paternal interest, as well they might have been, for to her sturdy peasants--and to the peasants' sturdy wives--were due the foundations of Belgian prosperity. CHAPTER IX TAPESTRIES As we were intensely interested in tapestries we often went to the Museum to study and admire the most famous set in Brussels, an early Renaissance series of four pieces, called Notre Dame du Sablon. These hangings illustrate an old fourteenth-century story, which I condense from Hunter's delightful work on "Tapestries." Beatrix Stoelkens, a poor woman of Antwerp, was told by the Virgin in a dream to get from the church of Notre Dame a little image of the Madonna. In obedience to the vision she obtained the statuette and took it to a painter, who decorated it in gold and colours. After Beatrix had returned it to the church, the Virgin clothed it with such grace that it inspired devotion in all who saw it. Then Our Lady appeared a second time to Beatrix, and directed her to carry the statue to Brussels. When she attempted to get it, the warden of the church interfered, but he found himself unable to move, and Beatrix bore away the little Madonna in triumph. She embarked for Brussels in an empty boat, which stemmed the current as if piloted by unseen hands. On arriving at her destination, she was received by the Duke of Brabant and the magistrates of the city, and the precious little statue was carried in procession to the church of Notre Dame du Sablon.