But a much earlier poet has described the making of tapestry. We read in the Odyssey that, when the return of Ulysses to his native land was long delayed, his faithful wife Penelope postponed a decision among the suitors who importuned her by promising to make a choice when she had finished weaving the funeral robe for Laertes, her husband's father. The robe was never completed, for each night she took out the work of the day before. It is a very interesting fact that a Grecian vase has come down to us on which is a painting of Penelope and her son Telemachus. Penelope is seated at what the experts say is certainly a tapestry loom, though somewhat different from those used at a later day. We have no large pieces done by the Greeks and the Romans, but many small bands for use as trimmings of robes. Some of these were woven by the Greeks as early as the fourth century B.C., others were made in Egypt under Roman rule some centuries later, and are called Coptic. From these one can trace the series through the silken Byzantine, Saracenic and Moorish dress tapestries to the Gothic fabrics of the fourteenth century. The Flemish and Burgundian looms were those of Arras, Brussels, Tournai, Bruges, Enghien, Oudenarde, Middlebourg, Lille, Antwerp, and Delft in Holland. The value of the tapestry industry to Flanders may be judged from the fact that Arras, a city of no importance whatever, from which not a single great artist had come, led all Europe for about two centuries in tapestry weaving. Although some fine pieces were woven in the fourteenth century, as far as known, only two sets of Arras tapestries of this period are left. One set is at the cathedral of Angers in rather bad condition, for they were not appreciated at one time, and were used in a greenhouse and cut up as rugs. Fortunately, they have been restored and returned to the cathedral. The other set of early Arras hangings is to be found at the cathedral of Tournai, in Belgium. A piece of this set bore an inscription--which has fortunately been preserved for us--stating, "These cloths were made and completed in Arras by Pierrot Féré in the year one thousand four hundred two, in December, gracious month. Will all the saints kindly pray to God for the soul of Toussaint Prier?" Toussaint Prier, a canon of the cathedral in 1402, was the donor of the tapestries.