tongue. Also, in allegorical manner, nothing could better express the triumph which the King accorded Diana when he "broke her enemies and humiliated them," than the picture of the King slaying the dragon. The set is full of interesting detail--there are dogs and hares, nymphs and satyrs. All the details combine to tell the story, and in one piece the monarch wears a crown, which emphasizes the royalty of the lover. Seven of the tapestries were originally acquired from the Princess Barberini, although inventories suggested that there were eight in the full series; strangely enough, several years later, the missing one was discovered by another collector in Amsterdam, but this had had its border cut off, as would naturally be the case in a stolen tapestry. We were able to get it, so that now the set is once more complete after hundreds of years. The David and Goliath series is also in our possession, and is a representative set. These tapestries illustrate prominent events in the story of David and Goliath, and were made in Flanders in the second half of the sixteenth century. They are in excellent condition, without repair, and possess borders of delicious character. [Illustration: DAVID AND GOLIATH TAPESTRY.] This set was presented by Cardinal d'Este, Papal Legate at the Court of Charles IX of France, to Count Flaminio Mannelli, who was then his secretary and had filled in various ways honourable offices at the Court and in the service of the Dowager Queen Catherine de Medici. A record of the period shows that about 1587 the hangings were brought to Count Mannelli's palace, in the Marche of Italy, where they remained until 1898, when we purchased them from the Marquis Pianetti of Jesi, who had come into possession of the set. The six different panels depict literally the scenes described in the Bible. The titles are: David before Saul, the Challenge of Goliath of Gath, the Battle between Goliath and David, the Beheading of Goliath, the Triumph of David, and the Madness of Saul. When we were in Belgium, the home of tapestry, I was surprised to find comparatively few pieces there. Many more, as I have said, are seen in Italy and Spain, some in France and England, and a few in America, where we are beginning to appreciate them. CHAPTER X PRIMITIVES AND LATER PAINTERS