The annals of the seventeenth century are filled with the names of a host of artists of more or less renown, followers of Rubens and van Dyck. But "for the Flemish school, the eighteenth century is a long entr'acte, during which the stage, so nobly occupied of old, is sad and deserted." The modern Belgian school of art started in Antwerp after the Revolution of 1830. At first it corresponded to the romantic movement in France, of which Delaroche was one of the leaders, but with this difference, that the Belgians chose their subjects for the most part from the age-long battle for freedom waged by their country. The most distinguished of these "romantic" Belgian artists were Louis Galliat and Edouard Biefve. The "historic" and "archaic" schools of these modern painters included Leys and his followers, whose work is interesting because they sought to reproduce the characteristics of van Eyck and Memling. The frescos in the Antwerp town hall by Leys, illustrating the charters and the privileges of that city in olden times, are called by Max Rooses, "monumental creations by a great master of the art of painting." Henri de Braekeleer had the art of investing the most prosaic subjects with interest. He painted the ordinary things of daily life, a wine-shop, an old man at his printing, in a way that glorified them. The insane artist, Wiertz, thought himself the second Rubens, and produced a number of huge canvases. The Wiertz Museum had an astonishing collection of the works of this artist--paintings on every imaginable theme, ranging from "wild nightmares of the brain" to such impressive compositions as the Contest for the Body of Patroclus, after the manner of Rubens, and the Triumph of Christ, a sublime work showing great originality and wonderful power of execution. Much remarkably good restoration of paintings has been done by modern Belgian artists. An amusing story has come to me of an artist who was employed to touch up a large painting in an old church. When he presented his bill the committee in charge refused payment unless the details were specified. Whereupon he presented the items as follows: To correcting the ten commandments $5.12 To embellishing Pontius Pilate and putting new ribbons on his hat 3.02 To putting new tail on rooster of St. Peter and mending his comb 2.20 To repluming and gilding left wing of the Guardian Angel 5.18 To washing the servant of the High Priest and putting carmine on his cheeks 5.02 To renewing Heaven, adjusting the Stars and cleaning up the moon 7.14 To touching up Purgatory and restoring Lost Souls 3.06