The apprentice system was rigidly enforced among all the guilds, but the policy of the organisations was liberal in this respect--for example, an apprentice was often sent for a year's journey in other cities or countries in order to obtain a wider knowledge of his craft. The guildsmen had a hearty and honest pride in good and skilful workmanship, and the officers of the guilds supervised the quality of the goods turned out and imposed penalties for poor workmanship or the use of inferior materials. Each guild had its own house or meeting-place, and while the fine guild houses on the Marché aux Grains date from a somewhat later period, they were no doubt preceded by earlier structures. It was one of the dreams of the Professor to rummage about in these ancient edifices, poring over the archives of the guilds and inspecting the rooms and halls where their ofttimes stormy meetings were held. In this he was destined to be disappointed, for while the exteriors of several of these historic buildings have been carefully restored, the interiors are now devoted to private uses and contain little of interest to the visitor. The archives have been, for the most part, preserved in the ancient castle of Girard the Devil. Some of the old guild banners still exist, but the guild houses themselves are only the empty shells of the powerful organisations that once made them their homes. [Illustration: Photograph by E. Sacré. POST OFFICE, CHURCH OF ST. NICHOLAS, BELFRY AND CATHEDRAL, GHENT.] The most famous structure in Flanders dates from this epoch in the town's history. This is the Belfry that has looked down on the red roofs of Ghent for nearly six hundred years. The first Belfry was begun in 1183, but the present structure was built in 1313-1339, since when it has been several times modified and "restored"--not always successfully. The latest restoration was carried out by the municipal authorities as a preparation for the International Exposition held at Ghent in 1913 and was carefully and intelligently done. There are three hundred and fifty-five steps in the staircase by which visitors ascend the tower, and the climb is one that richly repays those who make it. On a clear day one can see beyond Bruges to the northwest, as far as Antwerp to the east and Audenaerde to the south. So densely peopled is the Flemish plain that these great cities lie almost close enough together to be within sound of great Roland. This was the renowned bell which the burghers of Ghent had cast and hung high on their Belfry as an emblem of the city's freedom from tyranny and a tocsin to summon the sturdy guildsmen to its defence when danger threatened. It bore the following inscription in Flemish: Mynen naem is Roelant, als ick clippe dan ist brant Als icke luyde, dan ist storm in Vlaenderlandt. Freely translated, this is what the bell gave as its autobiography: