The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern ProvincesVose, Edward Neville
History
The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern Provinces
Vose, Edward Neville
Flanders -- Description and travel
This epoch-making discovery, which is justly looked upon as the birth
of modern painting, was made by the two brothers Van Eyck about the
year 1410. The early accounts attribute the invention wholly to Jean,
the younger of the two brothers, relating that on a certain occasion
he had placed a painting on wood, which had cost him much time and
labour, in the sun to dry when the heat of the sun caused it to crack.
Seeing his work thus ruined at a blow Jean sought to find some
substance that would obviate the necessity of drying his paintings in
the sun and, after many experiments, discovered that linseed oil and
nut oil were by far the most rapid in drying. He further found that
the colours mixed better in oil than with the white of an egg or glue.
They also had more body, a far richer lustre, were impermeable to
water and--what was best of all--dried just as well in the shade as in
the sun. Later scholarship is not inclined to give the entire credit
for this discovery to Jean alone, however, and his elder brother
Hubert is looked upon by some as the one to whom the glory is due.
Probably it was the joint result of innumerable experiments made by
both, each profiting by the mistakes and successes of the other--just
as was the case with the Wright brothers in perfecting the greatest
invention of our own times. There were, of course, other pioneers who
contributed to the great discovery.
The brothers were born at Maeseyck (Eyck-sur-Meuse) near Maestricht,
and took the name of the village as their own in a way that was then
very common. Literally they called themselves Hubert and Jean of Eyck.
They first obtained service under the prince-bishop of Liége, and were
illuminators of manuscripts and statues as well as painters. The
increasing wealth and luxury of Flanders under the Dukes of Burgundy
drew the two brothers to that country and they appear to have been in
the employ of the Count of Charolais, afterwards the Duke Philip the
Good, at about the date assigned by the early historians as that when
the art of painting with oils was discovered. The Count was residing
at that time in the Château des Comtes at Ghent with his young wife
Michelle, sister of the Duke of Orleans. In 1419, when the news of the
murder of John the Fearless, Duke of Burgundy, by the Duke of Orleans
on the bridge of Montereau arrived at Ghent, Philip rushed into his
wife's room crying, "Michelle, Michelle! Your brother has killed my
father!" The shock of this terrible intelligence, and the subsequent
suspicion of her husband that she knew of the plot, caused the poor
little French princess to pine away and die two years later. As a
tribute to her memory the guild of St. Luke was asked by the Duke to
grant the freedom of the guild to her favourite painters, the two Van
Eycks, which was done.
Public-domain text, read in full here on John Shaqi.
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