The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern ProvincesVose, Edward Neville
History
The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern Provinces
Vose, Edward Neville
Flanders -- Description and travel
We made a special trip to Malines one Monday afternoon in June solely
to listen to one of these concerts, which takes place on that day
between eight and nine in the evening, during the months of June,
August and September. The sleepy old town was thronged with
automobiles, for the renown of these famous concerts has spread far
and wide, and some of the cars, we were told, had come from points as
far away as Ostende, Blankenburghe and Heyst, while scores were from
Antwerp and Brussels. The crowd gathered quietly in the streets
surrounding the great tower and a great silence seemed to pervade the
entire city as the hour of eight approached. Then, faint and far at
first, came the first dulcet tones from this great organ of the sky,
until--as the music swelled and more of the larger bells began to
blend their notes in the harmony--the very air seemed vibrant with
celestial sounds. The selection, as we afterwards learned, was one of
the _Volksliederen_, or pieces of folk music for the rendition of
which M. Denyn is famous. As we listened we realised as never before
the part the ancient _carillon_ was meant to take in the daily life of
the people. It is, in truth, as a French author has beautifully
expressed it, the orchestra of the poor, giving expression through its
wondrous notes to their joys and their sorrows. On the occasion of
great fêtes its music is light and gay, in attune with the popular
rejoicing; in times of public grief the _carillon_ gives utterance to
notes of lamentation; when a famous citizen is being borne to his last
resting-place through the streets lined with silent mourners the
_carillon_ sends the deep notes of its funeral dirges across the city;
in time of war or sudden danger the great bells roar the wild tocsin
of alarm; in time of peace their softest notes breathe a sweet prayer
of peace and benediction at eventide.
While we were visiting the tower we were shown the _tambour_ cast in
copper by means of which the clock strikes the hours, the half hours
and the quarters. This was cast in 1783, and two years were required
to make the sixteen thousand, two hundred square holes into which drop
the teeth that actuate the striking hammers.
Public-domain text, read in full here on John Shaqi.
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