The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern ProvincesVose, Edward Neville
History
The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern Provinces
Vose, Edward Neville
Flanders -- Description and travel
For the Professor the Hotel de Ville contained still another room of
inexhaustible interest. This was the museum of the commune which
occupies the entire second floor. For some reason--certainly not from
fear of the suffragette, which is a non-existent species in
Belgium--this is closed to the public, but we were admitted by
courtesy of the Secretary of the Commune. The collection is of the
utmost value to the historian and archeologist, but is rather badly
kept. Among the most interesting objects were four chairs once used by
Charles V; the ancient keyboard of the _carillon_ which formerly hung
in the belfry of the town hall but is now installed in the tower of
Ste. Walburge, and some water-colour designs for tapestries. A large
painting of the Last Judgment covered a considerable part of one wall.
This is attributed to Heuvick, and originally hung in the Salle des
Échevins. It was the ancient custom to have a painting of this
subject, covered by curtains, in the olden justice halls. When a
witness was about to be sworn the curtains were suddenly drawn back
and the sight of the picture, which represented with great vividness
the destruction of the damned, was intended to prevent false
testimony. The collection also included a variety of ancient arms and
coins, several curious mediæval strong boxes, and two huge snakes
which hung from the rafters overhead. There are no snakes in Belgium
to-day, but our guide assured us that a crocodile had once been taken
in the River Scheldt near Audenaerde, so the snakes may have been
natives after all--assuming, of course, that the crocodile story is
correct.
Back of the Hotel de Ville proper is the still more ancient Cloth
Hall, dating from the beginning of the thirteenth century. Its small,
high windows were built slantingly, to prevent archers from sending
arrows directly into the interior. At some comparatively recent
period two large windows were cut through, the walls on each side,
but a goodly number of the earlier windows still remain, and the beams
that support the high, pointed roof are still as sound as the day they
were laid in position.
[Illustration: CHURCH OF STE. WALBURGE, AUDENAERDE.]
Public-domain text, read in full here on John Shaqi.
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