The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern ProvincesVose, Edward Neville
History
The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern Provinces
Vose, Edward Neville
Flanders -- Description and travel
The great show place of Ostende is, of course, the Kursaal, a huge
structure of glass, iron and stone belonging to no particular school
of architecture, but in the main making a pleasing impression and
serving very well indeed for the somewhat diversified uses for which
it is intended. In the daytime the Kursaal is a place of relatively
little interest, although well-dressed people flock through it at all
hours. At night it is the scene of much animation, and is, as it was
meant to be, the centre of the gay life of the town. A large
orchestra gives a concert every evening in a very pretty concert hall,
which, when we were there, contained numerous little tables for
refreshments, although I have seen pictures in which the room was
filled with seats in solid rows, like a theatre. It was much more
comfortable the way we found it, and the concert was very enjoyable.
At the intermission, however, we observed that nearly everybody rose
and flocked off into an anteroom leading out of the concert hall. The
Professor and I decided that there appeared to be "something doing" in
that direction and followed the crowd, leaving the ladies to look
after our wraps, and promising to return and get them if we found
anything worth while.
I fear that the narrative of our experience may sound a bit like an
extract from _Innocents Abroad_, but I will relate the thing as it
happened and make no pretence that we were a bit more sophisticated
than we really were. The crowd seemed to be headed through a long and
handsome corridor toward a distant room. We followed along, passing on
the way what looked more or less like the office of a hotel, with a
register book and two or three clerks, to which we paid no attention.
Arrived at the end of the corridor we found ourselves in a large
circular room around which were a number of small tables on which
visitors were rolling balls down toward a group of pockets--some such
a game as one sees at Coney Island or any popular American amusement
resort. The price was two francs for three shots, and barkers were
shouting lustily to all comers to try their luck. On one side a
doorway was heavily curtained with velvet draperies and here
occasional groups of the guests were silently disappearing. We
approached this mysterious passageway and sought to pass like the
others when two tiny lads in brilliant livery demanded our cards. On
our replying that we had none, a large man, also in livery, appeared
from somewhere behind the draperies and courteously informed us that
special membership or admission cards were required from all who
wished to proceed further.
Public-domain text, read in full here on John Shaqi.
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