After inspecting the remains of the earlier castle we mounted the staircase at the left of the entrance tower. This leads to the top of the outer castle wall and can be followed entirely around the great ellipse formed by the complete structure. From every side fine views can be had of the surrounding city and the moat and River Lieve which guard the castle on the opposite side from the Place. Coming to the square tower behind the entrance gateway we were shown a room on the first story formerly used as a prison and torture chamber. From the top of this tower the banner of the Count was hoisted when the men of Ghent were called upon to follow their over-lord to war. The gateway below, at the corner of the Place Ste. Pharaïlde and the rue de la Monnaie, has a tragic interest from the fact that here were placed the two railings, called _les bailles_, between which those sentenced to death by the Council of Flanders were executed. Executions also often took place in the outer courtyard between the exterior wall and the Keep, or inner structure. In this yard, in 1445, the procession of the Order of the Golden Fleece formed for its march to the church of St. Bavon, and one can imagine how gay with banners and fair ladies the old castle must have been on that occasion. The inner castle, usually styled the Palace, was the actual residence of the Counts of Flanders whenever they chanced to be stopping in the city. Thanks to the skilful restoration of the government, the various parts of this edifice can be seen in approximately their original condition, save for the rich tapestries and the scant but solid furniture with which the rooms were formerly made habitable. The chambers of the Count and Countess are particularly fine specimens of the living quarters of the mediæval nobility, quite apart from their many historic associations. Below the former is the entrance to the underground prison built by Philip of Alsace. It is eighteen feet deep, and extends ten and one-half feet below the level of the courtyard, while one of the walls is seven and the others six feet thick. A little air filters in from a zig-zag opening in one wall, but no light. The prisoners were let down into this horrible cavern by means of a ladder, or a basket attached to a rope, after which even the opening by which they entered was closed and they were left alone in the dark. For more than six centuries this cell was in constant use, and one cannot but wonder whether milady the Countess in her sweet chamber overhead ever had her dreams troubled by visions of the despairing victims in their beds of slime who were here awaiting the Count's decision as to their final fate. It seems that this prison, fearful though it must have been to those incarcerated there, was not one of those _oubliettes_ of which the Bastille and many another mediæval castle had so many. So far as known, it was only used for prisoners awaiting trial, or as a species of solitary confinement for serious crimes.