The Spenders: A Tale of the Third GenerationWilson, Harry Leon
General
The Spenders: A Tale of the Third Generation
Wilson, Harry Leon
Inheritance and succession -- Fiction; United States -- Social life and customs -- Fiction
"Of course I know these are not the swell old families."
Oldaker sipped his glass of old Oloroso sherry and discoursed.
"And our prominent families, the ones whose names you read, are not New
York any more, either. They are rather London and Paris. Their
furniture, clothing, plate, pictures, and servants come from one or the
other. Yes, and their manners, too, their interests and sympathies and
concerns, their fashions--and--sometimes, their--er--morals. They are
assuredly not New York any more than Gobelin tapestries and Fortuny
pictures and Louis Seize chairs are New York."
"How queerly you talk. Where is New York, then?"
Oldaker sighed thoughtfully between two spoonfuls of _tortue verte,
claire_.
"Well, I suppose the truth is that there isn't much of New York left in
New York. As a matter of fact I think it died with the old Volunteer
Fire Department. Anyway the surviving remnant is coy. Real old New
Yorkers like myself--neither poor nor rich--are swamped in these days
like those prehistoric animals whose bones we find. There comes a time
when we can't live, and deposits form over us and we're lost even to
memory."
But this talk was even harder for Miss Bines to understand than the
English speech of the Baron Ronault de Palliac, and she turned to that
noble gentleman as the turbot with sauce Corail was served.
The dining-room, its wall wainscotted from floor to ceiling in Spanish
oak, was flooded with soft light from the red silk dome that depended
from its crown of gold above the table. The laughter and talk were as
little subdued as the scheme of the rooms. It was an atmosphere of
prodigal and confident opulence. From the music-room near by came the
soft strains of a Haydn quartet, exquisitely performed by finished and
expensive artists.
"Say, Higbee!" it was the oil chief from Texas, "see if them fiddlers
of yours can't play 'Ma Honolulu Lulu!'"
Oldaker, wincing and turning to Miss Bines for sympathy, heard her say:
"Yes, do, Mr. Higbee! I do love those ragtime songs--and then have them
play 'Tell Me, Pretty Maiden,' and the 'Intermezzo.'"
He groaned in anguish.
The talk ran mostly on practical affairs: the current values of the
great staple commodities; why the corn crop had been light; what wheat
promised to bring; how young Burman of the Chicago Board of Trade had
been pinched in his own wheat corner for four millions--"put up" by his
admiring father; what beef on the hoof commanded; how the Federal Oil
Company would presently own the State of Texas.
Almost every Barbarian at the table had made his own fortune. Hardly
one but could recall early days when he toiled on farm or in shop or
forest, herded cattle, prospected, sought adventure in remote and
hazardous wilds.
"'Tain't much like them old days, eh, Higbee?" queried the Crown Prince
of Cripple Creek--"when you and me had to walk from Chicago to Green
Bay, Wisconsin, because we didn't have enough shillings for
stage-fare?" He gazed about him suggestively.
Public-domain text, read in full here on John Shaqi.
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