Nevertheless, this opposition, Luke was sure, could be crushed and swept away; his ideal for the good of the city, which had become his own good, could be attained; and then, he told himself, that other part of him, the part that loved Betty and that Betty loved, could enjoy Betty as the reward of the whole man. It was as if he were one of two runners. Betty he saw not as the goal, but as the prize to be given him for leading at the goal; not a prize that any other runner could win by worsting him in the race, but a prize that he himself could deserve only if he were to lead at the finish. He was thinking of this when he left the Subway station and walked toward the Arapahoe, but under his conscious thoughts the subconscious self was still tingling with the emotions that had flamed up in him when he took Betty in his arms and felt her lips on his. He quivered with the physical recollection, and though the flame had burned, his flesh found the pain of it sweet. At the corner nearest the apartment house in which he lived, he became aware of a woman. The street was nearly empty, but until she was close beside him he did not notice her. How she came to be at his elbow he did not appreciate, nor did he at first realize whether she were young or old, beautiful or ugly. "Will you tell me the time, please?" she asked. Luke’s experience in Leighton’s office had long ago taught him that such a request was the commonest form of watch-stealing, but he was not afraid of losing his watch. He stopped under a lamp-post. "Certainly," he said. "I know it’s late," pursued the woman, "but I don’t know how late." The words were thick. The voice was the voice of all the phantoms of the street, low in pitch and hoarse, but luring because of all that it connoted: because of the mystery, the adventure which, after all knowledge of her sordidness and all understanding of her frigidity, the woman who most reveals her body has maintained by that revelation’s forced screening of her soul. Luke consulted his watch. "It’s a quarter to eleven," he said. He looked at her, and he was glad to look. That she was well-dressed, but overdressed and wore her clothes with the defiance of one unhabituated to them, did not impress him. What impressed him was the face that, in spite of its tokens of much evil done and more evil suffered, retained the fragile beauty which men associate with innocence. The calm, broad brow, the gray eyes wide and steady, the underlip timidly drawn back, the delicate chin upturned above a slim white throat, reminded him of the pictures of Joan of Arc on trial and foredoomed by her English accusers. "It _is_ late, isn’t it?" she said. "Yes," said Luke. He had forgotten about his watch; he was holding it loosely in his hand. "I wonder," said the woman, "if it’s too late for you to take a little walk with me." Her eyes had narrowed coldly; a smile that was a trade grimace distorted her mouth.