American fiction -- 20th century; American fiction -- California; Western stories
Girls had meant nothing in the boy's life. That was because they did not
seem members of his species, but something fragile, mysterious, and
ranking somewhere between flowers and angels. Thus his feeling for them
was composed of a little awe, more reverence, and a sense of great
remoteness. Never had he observed them thoughtfully without reflecting
that they were, in a general way, much like his mother, or at least of
her species; therefore they must be sweet and dainty and gentle and
kind. His only large swellings of the heart had come from his thinking
about them, particularly Grace Elderby, now twelve years old. Nothing
could have been so grand, for instance, as an opportunity to rescue her
single-handed, from wild savages that had her tied to a tree and were
piling fagots about her; then to dance in fiendish glee about her as the
flames rose. He would dash up on a splendid charger, his sword flashing
in the sun; savage heads would roll in the dust, or fall open, cleaved
in twain; there would be wild yells of fright and a wilder flight for
life; he would leap from his horse, speak reassuring words while he
severed her bonds, mount with her in his arms, and fly away, away, away.
Twice had Grace seen his shame. She had seen him pale, and run when her
father's big, noisy dog had made a flamboyant show of rage, and she had
seen him stand mute and white when Andy Carmichael, older and larger and
much stronger than Ray, grossly insulted him in her presence. The
Elderby dog was the terror that had closed the short cut,--closed it to
Ray alone.
Thus into the short cut swung Ray, walking strong and free, the ache in
his throat not so painful as before. The dog would be on guard, and the
boy was empty-handed.
The shadows were deep under the trees, or possibly the dog's hate and
rage blinded him to what the buckskin had seen, or perhaps he was of a
different metal. Near the rear of the premises the big brute came in so
great a fury that he broke through the palings. The ensuing
collision,--for the boy stood his ground,--was so violent that Ray went
down underneath, and an ecstasy thrilled him when the flame swished and
the smoke stung, and he felt something sink into his shoulder and a
stifle of hot, foamy breath in his face.
It seemed to have been easily and quickly done. True, when he came erect
he was weak and tired, and swayed dizzily, and wondered why. As, without
the least exultation, or even triumph, or even gratification, he looked
down at his work, and saw with surprise how deeply the ground had been
torn up, two men with sticks came running out,--evidently there had been
some noise, despite all his care for silence. One was Mr. Elderby, the
other his coachman. The gentleman stood in astonishment as the boy,
controlling his heavy breathing, stepped into the moonlight and calmly
faced him.
"Ray Gilbert! What are you doing here, at this time of night?"
"I was walking in the path. Your dog attacked me."
"What did you kill him with?"
Public-domain text, read in full here on John Shaqi.
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