American fiction -- 20th century; American fiction -- California; Western stories
To their housekeeping Andrea contributed only her handsome body with a
contained cargo of unsuspected qualities and virtues that simply
dazzled Paul as they cropped out upon the surface. In public a Tewana
bears herself staidly, carrying a certain dignity of expression that of
itself reveals how, of old, her forbears came to place limits to the
ambition of the conquering Aztec and made even Spanish dominion little
more than an uncomfortable name. Though, through courtship, Andrea's
stern composure had shown no trace of a thaw, it yet melted like snow
under a south wind when she was once ensconced in their little home.
Moreover, she unmasked undreamed of batteries, bewildering Paul with
infinite variety of feminine complexities. She would be arch, gay,
saucy, and in the next breath fall into one of love's warm silences,
watching him with eyes of molten bronze. She taught him the love of the
tropics without transcending modesty. Also she astonished him,
negatively, by the absence of those wide differences of nature and
feeling between her and the cultured women of his own land that reading
in the primal school of fiction had led him to expect. He learned from
her that woman is always woman under any clime or epoch. The greater
strength of her physique lessened, perhaps, the vine-like tendency, yet
she clung sufficiently to satisfy the needs of his masculinity; and she
displayed the feminine unreason, at once so charming and irritating,
with sufficient coquetry to freshen her love. Her greatest charm,
however, lay in the dominant quality of brooding motherhood, the
birthright of primal women and the very essence of femininity. After one
of those sweet silences, she would steal on him from behind, and pull
his head to her bosom with such a squeeze as a loving mother gives her
son.
Yet, under even this mood, her laughter lay close to the surface, and
nothing tapped its merry flow quicker than Paul's Spanish. Picking up
the language haphazard, he had somehow learned to apply the verb
_tumblar_ to describe the pouring out of coffee, and he clung to it
after correction with a persistence that surely inhered in his dogged
German blood. "_Tumbarlo el cafe_!" he would say, and she would repeat
it, faithfully mimicking his accent.
"Tumble out the coffee!" following it with peals of laughter. Or,
turning up a saucy face, she would ask, "Shall I tumble out more
coffee?" and again the laughter which came as readily at her own misfit
attempts at English.
These, few and simple, were learned of Bachelder's woman, and sprung on
Paul as surprises on his return from visiting the mining properties,
which required his frequent presence. For instance, slipping to his knee
on one such occasion, with the great heart of her pulsing against him,
she sighed: "I love thee, lovest thou me?"
Public-domain text, read in full here on John Shaqi.
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