The Spirit LandEmmons, Samuel B. (Samuel Bulfinch)
Religion
The Spirit Land
Emmons, Samuel B. (Samuel Bulfinch)
Occultism -- Early works to 1900; Spiritualism
We have been told of a lady, who, in a magnetized state, sits at a
table and writes down information that is imparted to her, as is said,
from the world of spirits. Her hand and pen glide over the paper with
astonishing speed and velocity, far more rapid than the most expert
penman in a normal state. And what astonishes many is, that she cannot
stop writing when she wishes to, and sometimes becomes so exceedingly
fatigued as to beg of the spirit or spirits to grant her a little
repose from the wearisome task. But the whole matter is easily
accounted for, without referring it to the supposed agency of spirits.
The lady's arm is first paralyzed--deprived of motion by the will of
the medium or operator, so that her own mind or will has not the least
control over it. She thus becomes a mere machine, under the will and
control of another, whose will directs the movements of the arm and
pen, and dictates what is written in answer to inquiries made of things
appertaining to the spirit world, just as Miss Martineau declares, in
her letters on magnetism, that "the volitions of the mesmerist may
actuate the movements of the patient's limbs, and suggest the material
of his ideas." Many singular effects are produced upon the minds and
feelings of subjects in a sleep-waking state, by Professor Williams,
Dr. Cutter, and others, such as being made drunk with water, eating
cayenne as sugar, exercising complete control over their mental as well
as physical condition.
We have been assured by a pathetist, who is a thorough adept in the
profession, that he _can_ and often _has_ put persons in communication
_apparently_ with a deceased father, mother, brother, sister, or
friend. The individual is first _pathetized_ (another name for
mesmerism) by him in a wakeful state, though unconscious, it may be,
that he is under such an influence. His mind being in the possession
and under the control of the operator, a person is now either actually
or mentally (for it makes no difference) presented before him, and he
is told of the fact, and asked, _Do you not see your father?_ The idea
of _father_ is so presented to the mind, through the organ of _form_,
that the organ can take cognizance of none other than the father. The
_person_, if an actual person is employed for the occasion, is then
shifted or changed for another person; yet the subject perceives no
difference, even if changed successively for a dozen others; it is all
the same; it is _father_, and no one else, through the whole
exhibition. The father speaks, the son recognizes his voice, and they
converse together. The subject can be willed to hear any sound, as
that of music, artillery, thunder, and the like, though no sounds
whatever are in reality made. A niece of ours was operated on in this
way, and she was told to look abroad and behold the majestic waves of
the ocean, the pageantry of a military procession; and she saw and was
delighted with the scenes that were _willed_ to pass before her.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account