The Spirit LandEmmons, Samuel B. (Samuel Bulfinch)
Religion
The Spirit Land
Emmons, Samuel B. (Samuel Bulfinch)
Occultism -- Early works to 1900; Spiritualism
"From the effects of the humidity of the atmosphere, some may conclude
that the agent must have been _electricity_, inasmuch as the same state
of the atmosphere produces a like effect upon the action of friction
electricity. Let us allow this, and turn to precisely the same
phenomenon, as it has been manifested in the cases of numerous
'mediums' for the so-called '_spiritual manifestations_.'"
"We will not state it upon our authority alone, but also upon that of a
large number of intelligent believers in the spiritual origin of these
phenomena, that the electrical condition of the atmosphere enters into
the circumstances of their evolution; that in a humid state of the
weather it is not only difficult, in many instances, but sometimes it
is absolutely impossible, to obtain them under such a condition." We
know that many of the less informed "mediums" attribute these failures
to the _capriciousness of the spirits_, and frequently scold them
soundly for their misdemeanors, though at other times they seem to pity
them because they get so weary and fatigued in answering so many
inquiries, and being so long "_on duty_."
"It was thought by some who witnessed the case of Angelique Cottin,
that the agent which acted so powerfully from her organism,
overthrowing tables, twisting chairs out of stout men's hands, raising
a man in a heavy tub, was electricity. C. Crowe says it did cause the
deviation of the magnetic needle; but M. Arago, who knows more about
this abused agent than a nation of theorizers, could not detect the
least signs of it by the nicest tests. And yet it would give the person
who touched her or her dress a powerful shock, as if it _were_
electricity. Still, it may be the same agent that is ground out of
plate glass, that propagates news from city to city on iron wires, and
that thunders in the material heavens."
Public-domain text, read in full here on John Shaqi.
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