Sculpture -- United States -- History; Sculpture, American
In spite of superficial indications such as those offered by the names
in a city telephone directory, the core and nucleus of general culture
in the United States remains English-speaking; more, it remains true
to ideals of human conduct and human responsibility that have been
fruitfully developed and cherished by the English-speaking peoples.
Whatever lightly-accepted beliefs there may be in regard to this
matter, I am persuaded that the broad basis of American culture is and
will be our Puritanism. Not the narrow, mote-seeking Puritanism of past
story, but an enlightened, liberating Puritanism, with perceptions
and pardons for others, and with questionings as to its own supposed
superiorities; a Puritanism that has gained in grace and goodness
through native development and happy alien contacts. How often we have
mumbled an ancient shibboleth to the effect that art and morality
have nothing in common! On the contrary, they have the one supreme
aspiration of human beings in common; the benefit of the race. It is
the little artist who proclaims himself different from other men, and
so not subject to their laws; the great artist strives to bring his
personality and his work into harmony with the best that he knows of
human effort. Magnanimous men and women unconsciously reveal their
longing that their work may live after them for the happiness of
mankind. Ward on his death-bed, finally assured that all is well with
the great equestrian that had engaged his last thoughts, whispers to
his wife, “Now I can go in peace.” Saint-Gaudens in the later pages of
his Memoirs writes of the knowledge of the beautiful: “I know it is
a question whether such a knowledge increases the general happiness
and morality of a community. I firmly believe it does, as I believe
that any effort to do a thing as well as it can be done, regardless of
mercenary motives, tends to the elevation of the human mind.”
[Illustration: VICTORY
BY AUGUSTUS SAINT-GAUDENS]
[Illustration: THE GILLISS PRESS]
Transcriber’s Notes
Punctuation, hyphenation, and spelling were made consistent when a
predominant preference was found in the original book; otherwise they
were not changed.
Simple typographical errors were corrected; unbalanced quotation
marks were remedied when the change was obvious, and otherwise left
unbalanced.
Illustrations in this eBook have been positioned between paragraphs
and outside quotations. In versions of this eBook that support
hyperlinks, the page references in the List of Illustrations lead to
the corresponding illustrations.
Text uses “today” and “to-day” with equal frequency; both forms
retained here.
Page 3: Transcriber removed duplicate book title.
Public-domain text, read in full here on John Shaqi.
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