One of the foremost of these schools of golf architecture is the Heroic.
The name has only to be given, and every golfer of experience knows at
once what links he would select as belonging to it--links with a fine
length and needing a strong arm and a brave heart for successful play
upon them, links which are broad and bold in their characteristics,
never easy, and terribly difficult when Nature is in a tantrum mood.
There are not so many drive and pitch holes on such courses, and when
one is encountered the pitch calls for the most thoughtful golf. There
are long, bare, bunkered holes that chill the blood of the nervous
golfer as he goes forth from the tee with a glance at the brasseys in
his bag. It seems as if he wanders into a vast space, a wilderness
where the littleness of man is emphasised. As a leading example of
golfing architecture of the Heroic school, I would select the fine
course at Deal, and another noble specimen is Prestwick. There is a
disposition in these times to make some new inland courses on such
models so far as limited natural opportunities permit, and much the best
of those that have been created so far is Walton Heath, where it is
really Heroic golf all the way from the first tee to the home green.
A school which has yielded many fine courses is the Romantic. The lights
and shades of such courses are in high contrast, and their colouring is
rich. Hazards, big and full of character of their own, abound at almost
every hole; there are rocks or sandhills everywhere, and likely enough
the course is set in a frame of rich scenery surrounding. Some people
would describe such courses as being “very sporting.” When one thinks of
the Romantic school, and of the great days of adventure that one has
spent when paying homage to its dead masters, one thinks of Troon and of
North Berwick; and if of this type one must select one that is away from
the sea, there is Sunningdale which clearly belongs to it, though its
features are not so highly developed. The Braid Hills course is
certainly attached to the Romantic school. The architects who were of
this school, and the men who most admire their work, are warm-blooded,
human players, who like risks and the overcoming of them, and who would
have their pulses throb with the joy of life when they play on the
links. They like, as it is said, to be called upon to take their lives
in their hands at every stroke of their play. This is great golf.
Public-domain text, read in full here on John Shaqi.
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