"Things come over folk," she repeated, unwilling to say more, and he
nodded his head, relieved by her softer tone. "You’ll try to make up
your mind to Blindbeck, will you, missis?" he pressed on nervously,
hoping her mood would last. "It’s a bad best, maybe, but I nobbut did
what I could."
She gave a sharp sigh, but her voice was firm. "Ay, I’ll make up my
mind to it, after a bit."
"It’s a big change at our time of life, but you’ll settle, never fear."
"Ay, I’ll settle all right. Don’t you fret."
"It’s a good shop, Sarah."
"Ay."
"And Will’s a right good sort."
"Oh, ay."
The sudden gentleness of her mood prompted him to a further unburdening
of his soul. He leaned forward a little in the trap, staring over the
grey fields, and with the note of pleading rising and falling in his
tone.
"I don’t mind telling you now, Sarah, but I’ve been fair fretted out o’
my senses all this while. There’s been times I’ve felt like just making
off on t’sands, and letting tide settle it for me for good an’ all. Ay,
and by Gox! it very near come about, too, one day when I was mooning
along and not looking where I was at! But there was you to see to, and
I couldn’t rightly bring myself to chuck up the sponge. ’Tisn’t as if
the lad was dead, neither,--there was that as well. He’s as good as
dead, likely, but it’s a different thing, all the same. Folks can get
along on a mighty little hope,--same as yon old horse as died just when
it was learning to live on nowt! We’ve come to a bonny pass, these
days, you and Geordie an’ me, but the world isn’t past bearing as long
as the three on us is over sod."
It was with a sense of enlightenment and escape that they came out
finally on to the high road, for in the cleft of the lane every curve of
the land stole what little clarity was left to the slowly withdrawing
earth. Even Sarah was faintly conscious of lightened lids, as well as
of easier breathing as the borders of the road drew further apart. In
the lane they had been high, looming presences, over-close to the
lurching wheels, but now they ceased to oppress her, though she was
still aware that they marched with her as she went. It was as if the
furniture of the land was being withdrawn into the wings before the
curtain of night was really down; yet even in its slow departure it
still formed the picture and dominated the scene. The only real comfort
for brain and eyes was on the unfurnished marsh, where even the fenced
roads lifted themselves as often as not above their fences to look
abroad.
Public-domain text, read in full here on John Shaqi.
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