The Splendid Idle Forties: Stories of Old CaliforniaAtherton, Gertrude Franklin Horn
History
The Splendid Idle Forties: Stories of Old California
Atherton, Gertrude Franklin Horn
California -- History -- To 1846 -- Fiction; Historical fiction, American; Spaniards -- California -- Fiction
Six dark heads were set in a row along the edge of a secluded corner of
the high adobe wall surrounding the Convent of Monterey. They looked
for all the world like a row of charming gargoyles--every mouth was
open--although there was no blankness in those active mischief-hunting
eyes. Their bodies, propped on boxes, were concealed by the wall from
the passer-by, and from the sharp eyes of dueñas by a group of trees
just behind them. Their section of the wall faced the Presidio, which in
the early days of the eighteenth century had not lost an adobe, and was
full of active life. At one end was the house of the Governor of all the
Californias, at another the church, which is all that stands to-day.
Under other walls of the square were barracks, quarters for officers and
their families, store-rooms for ammunition and general supplies in case
of a raid by hostile tribes (when all the town must be accommodated
within the security of those four great walls), and a large hall in
which many a ball was given. The aristocratic pioneers of California
loved play as well as work. Beyond were great green plains alive with
cattle, and above all curved the hills dark with pines. Three soldiers
had left the Presidio and were sauntering toward the convent.
"It is Enrico Ortega!" whispered Eustaquia Carillo, excitedly.
"And Ramon de Castro!" scarcely breathed Elena Estudillo.
"And José Yorba!"
"Not Pepe Gomez? Ay, yi!"
"Nor Manuel Ameste!"
The only girl who did not speak stood at the end of the row. Her eyes
were fixed on the church, whose windows were dazzling with the reflected
sunlight of the late afternoon.
The officers, who apparently had been absorbed in conversation and their
fragrant cigaritos, suddenly looked up and saw the row of handsome and
mischievous faces. They ran forward, and dashed their sombreros into the
dust before the wall.
"At your feet, señoritas! At your feet!" they cried.
"Have they any?" whispered one. "How unreal they look! How symbolical!"
"The rose in your hair, Señorita Eustaquia, for the love of Heaven!"
cried Ortega, in a loud whisper.
She detached the rose, touched it with her lips, and cast it to the
officer. He almost swallowed it in the ardour of his caresses.
None of the girls spoke. That would have seemed to them the height of
impropriety. But Elena extended her arm over the wall so that her little
hand hung just above young Castro's head. He leaped three times in
the air, and finally succeeded in brushing his mustache against those
coveted finger-tips: rewarded with an approving but tantalizing laugh.
Meanwhile, José Yorba had torn a silver eagle from his sombrero, and
flung it to Lola de Castro, who caught and thrust it in her hair.
"Ay, Dios! Dios! that the cruel wall divides us," cried Yorba.
"We will mount each upon the other's shoulder--"
"We will make a ladder from the limbs of the pines on the mountain--"
"_Señoritas_!"
Public-domain text, read in full here on John Shaqi.
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