The Splendid Idle Forties: Stories of Old CaliforniaAtherton, Gertrude Franklin Horn
History
The Splendid Idle Forties: Stories of Old California
Atherton, Gertrude Franklin Horn
California -- History -- To 1846 -- Fiction; Historical fiction, American; Spaniards -- California -- Fiction
"Give me the bread!--quick, quick, for the love of Heaven! It is two
days since he has been, and I have nothing left, not even a drop of
coffee."
"Then live on the memory of thy dulces and coffee! The bread and water
go back with me. Three days from now I bring them again. Meanwhile, thou
canst enjoy the fangs at thy vitals."
Pilar breathed freely again, but she cried sharply, "Ay, no! no!"
"Ay, yes! yes!"
Doña Brígida stalked up and down, while Pilar twisted her hands
together, and Sturges mused upon his future wife's talent for dramatic
invention. Suddenly Doña Brígida shouted: "Tomaso, come here! The
spring! A horse has watered here to-day--two horses! I see the little
hoof-mark and the big." She ran back to the cave, dragging Tomaso with
her. "Quick! It is well I brought my reata. Ten minutes, and I shall
have the truth. Pull there; I pull here."
"The game is up," whispered Sturges to Pilar. "And I have another plan."
He took a pistol from his hip-pocket and handed it to her. "You have a
cool head," he said; "now is the time to use it. As soon as this stone
gives way do you point that pistol at the vaquero's head, and don't let
your hand tremble or your eye falter as you value your liberty. I'll
take care of her."
Pilar nodded. Sturges threw himself against the rock and pushed with all
his strength. In a moment it gave, and the long brown talons of Pilar's
mother darted in to clasp the curve of the stone. Sturges was tempted
to cut them off; but he was a sportsman, and liked fair play. The stone
gave again, and this time he encountered two small malignant eyes. Doña
Brígida dropped her hands and screamed; but, before she could alter her
plans, Sturges gave a final push and rushed out, closely followed by
Pilar.
Public-domain text, read in full here on John Shaqi.
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