The Splendid Idle Forties: Stories of Old CaliforniaAtherton, Gertrude Franklin Horn
History
The Splendid Idle Forties: Stories of Old California
Atherton, Gertrude Franklin Horn
California -- History -- To 1846 -- Fiction; Historical fiction, American; Spaniards -- California -- Fiction
One night, on her way home, she passed the long low prison where her
lover was confined. The large crystal moon flooded the red-tiled roof
projecting over the deep windows and the shallow cells. The light sweet
music of a guitar floated through iron bars, and a warm voice sang:--
"Adios, adios, de ti al ausentarme,
Para ir en poz de mi fatal estrella,
Yo llevo grabada tu imagen bella,
Aqui en mi palpitante corazon.
"Pero aunque lejos de tu lado me halle
No olvides, no, que por tu amor deliro
Enviáme siquiera un suspiro,
Que dé consuelo, a mi alma en su dolor.
"Y de tu pecho la emoción sentida
Llegue hasta herir mi lacerado oido,
Y arranque de mi pecho dolorido
Un eco que repita, adios! adios!"
La Pérdida's blood leaped through her body. Her aimless hands struck the
spiked surface of a cactus-bush, but she never knew it. When the song
finished, she crept to the grating and looked in.
"Carlos!" she whispered.
A man who lay on the straw at the back of the cell sprang to his feet
and came forward.
"My little one!" he said. "I knew that song would bring thee. I begged
them for a guitar, then to be put into a front cell." He forced his
hands through the bars and gave her life again with his strong warm
clasp.
"Come out," she said.
"Ay! they have me fast. But when they do let me out, niña, I will take
thee in my arms; and whosoever tries to tear thee away again will have
a dagger in his heart. Dios de mi vida! I could tear their flesh from
their bones for the shame and the pain they have given thee, thou poor
little innocent girl!"
"But thou lovest me, Carlos?"
"There is not an hour I am not mad for thee, not a corner of my heart
that does not ache for thee! Ay, little one, never mind; life is long,
and we are young."
She pressed nearer and laid his hand on her heart.
"Ay!" she said, "life is long."
"Holy Mary!" he cried. "The hills are on fire!"
A shout went up in the town. A flame, midway on the curving hills,
leaped to the sky, narrow as a ribbon, then swept out like a fan. The
moon grew dark behind a rolling pillar of smoke. The upcurved arms of
the pines were burnt into a wall of liquid shifting red. The caballeros
sprang to their horses, and driving the Indians before them, fled to the
hills to save the town. The indolent women of Monterey mingled their
screams with the shrill cries of the populace and the hoarse shouts of
their men. The prison sentries stood to their posts for a few moments;
then the panic claimed them, and they threw down their guns and ran with
the rest to the hills.
Carlos gave a cry of derision and triumph. "My little one, our hour has
come! Run and find the keys."
The big bunch of keys had been flung hastily into a corner. A moment
later Carlos held the shaking form of the girl in his powerful arms.
Slender and delicate as she was, she made no protest against the
fierceness of that embrace.
Public-domain text, read in full here on John Shaqi.
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