The Splendid Idle Forties: Stories of Old CaliforniaAtherton, Gertrude Franklin Horn
History
The Splendid Idle Forties: Stories of Old California
Atherton, Gertrude Franklin Horn
California -- History -- To 1846 -- Fiction; Historical fiction, American; Spaniards -- California -- Fiction
A moment or two before twelve she raised the window and swung herself to
the ground. The sentry was on the rampart opposite: she could not make
her exit by that gate. She walked softly around the buildings, keeping
in their shadow, and reached the gates facing the forest. They were not
difficult to unbar, and in a moment she stood without, free. She could
not see the mountain; a heavy bank of white fog lay against it, resting,
after its long flight over the ocean, before it returned, or swept
onward to ingulf the redwoods.
She went with noiseless step up the path, then turned and walked swiftly
toward the mill. She was very nervous; mingling with the low voice of
the ocean she imagined she heard the moans with which beheaded convicts
were said to haunt the night. Once she thought she heard a footstep
behind her, and paused, her heart beating audibly. But the sound ceased
with her own soft footfalls, and the fog was so dense that she could see
nothing. The ground was soft, and she was beyond the sentry's earshot;
she ran at full speed across the field, down the gorge, and up the steep
knoll. As she reached the top, she was taken in Mikhaïlof's arms. For
a few moments she was too breathless to speak; then she told him her
plans.
"Let me braid my hair," she said finally, "and we will go."
He drew her within the mill, then lit a lantern and held it above her
head, his eyes dwelling passionately on her beauty, enhanced by the
colour of excitement and rapid exercise.
"You look like the moon queen," he said. "I missed your hair, apart from
yourself."
She lifted her chin with a movement of coquetry most graceful in spite
of long disuse, and the answering fire sprang into her eyes. She looked
very piquant and a trifle diabolical. He pressed his lips suddenly
on hers. A moment later something tugged at the long locks his hand
caressed, and at the same time he became conscious that the silence
which had fallen between them was shaken by a loud whir. He glanced
upward. Natalie was standing with her back to one of the band-wheels. It
had begun to revolve; in the moment it increased its speed; and he saw a
glittering web on its surface. With an exclamation of horror, he pulled
her toward him; but he was too late. The wheel, spinning now with the
velocity of midday, caught the whole silver cloud in its spokes, and
Natalie was swept suddenly upward. Her feet hit the low rafters, and she
was whirled round and round, screams of torture torn from her rather
than uttered, her body describing a circular right angle to the shaft,
the bones breaking as they struck the opposite one; then, in swift
finality, she was sucked between belt and wheel. Mikhaïlof managed to
get into the next room and reverse the lever. The machinery stopped as
abruptly as it had started; but Natalie was out of her agony.
Public-domain text, read in full here on John Shaqi.
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