The Splendid Idle Forties: Stories of Old CaliforniaAtherton, Gertrude Franklin Horn
History
The Splendid Idle Forties: Stories of Old California
Atherton, Gertrude Franklin Horn
California -- History -- To 1846 -- Fiction; Historical fiction, American; Spaniards -- California -- Fiction
Elena sat upright on the bed, and he thrust a piece of folded paper into
her hand. "Here it is. He is in San Luis Obispo and says he will stay
there. Remember it is but a few miles away. My--"
Elena sank back with a cry, and Santiago blasphemed in English. Doña
Jacoba unlocked her daughter's hand, took the note, and led Santiago
from the room. When she reached her own, she opened a drawer and handed
him a canvas bag full of gold.
"Go to San Francisco and enjoy yourself," she said. "Interfere no
farther between your sister and your parents, unless you prefer that
reata to gold. Your craft cannot outwit mine, and she will read no
notes. You are a foolish boy to set your sense against your mother's. I
may seem harsh to my children, but I strive on my knees for their good.
And when I have made up my mind that a thing is right to do, you know
that my nature is of iron. No child of mine shall marry a lazy vagabond
who can do nothing but lie in a hammock and bet and gamble and make
love. And a half-breed! Mother of God! Now go to San Francisco, and send
for more money when this is gone."
Santiago obeyed. There was nothing else for him to do.
Elena lay in her bed, scarcely touching food. Poor child! her nature
demanded nothing of life but love, and that denied her, she could
find no reason for living. She was not sport-loving like Joaquín, nor
practical like Francisca, nor learned like Santiago, nor ambitious
to dance through life like her many nieces. She was but a clinging
unreasoning creature, with warm blood and a great heart. But she no
longer prayed to have Dario given her. It seemed to her that after such
suffering her saddened and broken spirit would cast its shadows over her
happiest moments, and she longed only for death.
Her mother, becoming alarmed at her increasing weakness, called in an
old woman who had been midwife and doctor of the county for half a
century. She came, a bent and bony woman who must have been majestic in
her youth. Her front teeth were gone, her face was stained with dark
splashes like the imprint of a pre-natal hand. Over her head she wore a
black shawl; and she looked enough like a witch to frighten her patients
into eternity had they not been so well used to her. She prodded Elena
all over as if the girl were a loaf of bread and her knotted fingers
sought a lump of flour in the dough.
"The heart," she said to Doña Jacoba with sharp emphasis, her back teeth
meeting with a click, as if to proclaim their existence. "I have no
herbs for that," and she went back to her cabin by the ocean.
That night Elena lifted her head suddenly. From the hill opposite her
window came the sweet reverberation of a guitar: then a voice, which,
though never heard by her in song before, was as unmistakable as if it
had serenaded beneath her window every night since she had known Darío
Castañares.
EL ULTIMO ADIÓS
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account