Country homes -- Fiction; Domestic fiction; England -- Fiction; Inheritance and succession -- Fiction
"That's the only answer. It's the answer to everything." So Fleda saw;
for a minute she looked over her companion's head and far away. "He
wasn't at Waterbath; Mrs. Brigstock must have read your telegram and
kept it. But mine, the one to Poynton, brought something. 'We are
here--what do you want?'" Mrs. Gereth stopped as if with a failure of
voice; on which Fleda sank upon the sofa and made a movement to take her
hand. It met no response; there could be no attenuation. Fleda waited;
they sat facing each other like strangers. "I wanted to go down," Mrs.
Gereth presently continued. "Well, I went."
All the girl's effort tended for the time to a single aim--that of
taking the thing with outward detachment, speaking of it as having
happened to Owen and to his mother and not in any degree to herself.
Something at least of this was in the encouraging way she said:
"Yesterday morning?"
"Yesterday morning. I saw him."
Fleda hesitated. "Did you see _her_?"
"Thank God, no!"
Fleda laid on her arm a hand of vague comfort, of which Mrs. Gereth took
no notice. "You've been capable, just to tell me, of this wretched
journey, of this consideration that I don't deserve?"
"We're together, we're together," said Mrs. Gereth. She looked helpless
as she sat there, her eyes, unseeingly enough, on a tall Dutch clock,
old but rather poor, that Maggie had had as a wedding-gift and that eked
out the bareness of the room.
To Fleda, in the face of the event, it appeared that this was exactly
what they were not: the last inch of common ground, the ground of their
past intercourse, had fallen from under them. Yet what was still there
was the grand style of her companion's treatment of her. Mrs. Gereth
couldn't stand upon small questions, couldn't, in conduct, make small
differences. "You're magnificent!" her young friend exclaimed. "There's
a rare greatness in your generosity."
"We're together, we're together," Mrs. Gereth lifelessly repeated.
"That's all we _are_ now; it's all we have." The words brought to Fleda
a sudden vision of the empty little house at Ricks; such a vision might
also have been what her companion found in the face of the stopped Dutch
clock. Yet with this it was clear that she would now show no bitterness:
she had done with that, had given the last drop to those horrible hours
in London. No passion even was left to her, and her forbearance only
added to the force with which she represented the final vanity of
everything.
Public-domain text, read in full here on John Shaqi.
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