Country homes -- Fiction; Domestic fiction; England -- Fiction; Inheritance and succession -- Fiction
"I want you, inexpressibly, to have, as a remembrance, something of
mine--something of real value. Something from Poynton is what I mean and
what I should prefer. You know everything there, and far better than I
what's best and what isn't. There are a lot of differences, but aren't
some of the smaller things the most remarkable? I mean for judges, and
for what they'd bring. What I want you to take from me, and to choose
for yourself, is the thing in the whole house that's most beautiful and
precious. I mean the 'gem of the collection,' don't you know? If it
happens to be of such a sort that you can take immediate possession of
it--carry it right away with you--so much the better. You're to have it
on the spot, whatever it is. I humbly beg of you to go down there and
see. The people have complete instructions: they'll act for you in every
possible way and put the whole place at your service. There's a thing
mamma used to call the Maltese cross and that I think I've heard her say
is very wonderful. Is _that_ the gem of the collection? Perhaps you
would take it, or anything equally convenient. Only I do want you
awfully to let it be the very pick of the place. Let me feel that I can
trust you for this. You won't refuse if you will think a little what it
must be that makes me ask."
Fleda read that last sentence over more times even than the rest; she
was baffled--she couldn't think at all of what it might be. This was
indeed because it might be one of so many things. She made for the
present no answer; she merely, little by little, fashioned for herself
the form that her answer should eventually wear. There was only one form
that was possible--the form of doing, at her time, what he wished. She
would go down to Poynton as a pilgrim might go to a shrine, and as to
this she must look out for her chance. She lived with her letter, before
any chance came, a month, and even after a month it had mysteries for
her that she couldn't meet. What did it mean, what did it represent, to
what did it correspond in his imagination or his soul? What was behind
it, what was beyond it, what was, in the deepest depth, within it? She
said to herself that with these questions she was under no obligation to
deal. There was an explanation of them that, for practical purposes,
would do as well as another: he had found in his marriage a happiness so
much greater than, in the distress of his dilemma, he had been able to
take heart to believe, that he now felt he owed her a token of gratitude
for having kept him in the straight path. That explanation, I say, she
could throw off; but no explanation in the least mattered: what
determined her was the simple strength of her impulse to respond. The
passion for which what had happened had made no difference, the passion
that had taken this into account before as well as after, found here an
issue that there was nothing whatever to choke. It found even a relief
to which her imagination immensely contributed. Would she act upon his
Public-domain text, read in full here on John Shaqi.
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