=Mammonart=: a history of the world’s culture, showing how it serves the ruling classes. $2 cloth, $1 paper. =The Profits of Religion=: how the churches have been used by the enemies of Jesus. $1.50 cloth, $1 paper. =The Book of Life=: a work of practical counsel, Mind, Body, Love and Society. $2, cloth only. =The Cry for Justice=: an anthology of the world’s literature of social protest, from twenty-two languages and five thousand years of history. 890 pages, 16 illustrations. $2 cloth, $1.25 paper. Novels, at $1.50 cloth and $1 paper =The Jungle=: a novel of the Chicago stockyards. =King Coal=: a story of the Colorado coal empire. =100%=: The Story of a Patriot: the spy system which rules America. =They Call Me Carpenter=: how Jesus came to Los Angeles. =The Moneychangers=: how Morgan caused the panic of 1907. =Jimmie Higgins=: a novel of the Socialist movement in the world war. =Manassas=: a novel of the Civil war. =Samuel the Seeker=: the misadventures of a young idealist. Order from UPTON SINCLAIR, Pasadena, California Mammonart An Essay in Economic Interpretation “MAMMONART” studies the artists from a point of view entirely new; asking how they get their living, and what they do for it; turning their pockets inside out, seeing what is in them and where it comes from. “MAMMONART” puts to painters, sculptors, poets, novelists, dramatists and composers the question already put to priests and preachers, editors and journalists, college presidents and professors, school superintendents and teachers: WHO OWNS YOU, AND WHY? “MAMMONART” examines art and literature as instruments of propaganda and repression, employed by ruling classes of the community; or as weapons of attack, employed by new classes rising into power. “MAMMONART” challenges the great ones now honored by critical authority and asks to what extent they are servants of ruling-class prestige and instruments of ruling-class safety. “MAMMONART” asserts that mankind is today under the spell of utterly false conceptions of what art is and should be; of utterly vicious and perverted standards of beauty and dignity in all the arts. “MAMMONART” is a history of culture, and also a battle-cry. * * * * * E. HALDEMAN-JULIUS telegraphs: “This is real constructive criticism. My heartiest congratulations.” GEORGE STERLING writes: “You may not know everything, son, but you can sure turn out interesting stuff!” _400 pages, cloth $2.00; paper $1.00_ UPTON SINCLAIR, Pasadena, Cal. * * * * * Transcriber’s note Minor punctuation errors have been changed without notice. Spelling has been retained as published. The following Printer errors have been changed. =CHANGED= =FROM= =TO=