African American families -- Fiction; Domestic fiction; Rural-urban migration -- United States -- Fiction
"I guess what he says is right, ma. I don't reckon we 'll ever see pa
again an' you got to do something. You got to live for yourself now."
Her mother dropped her head in her hands. "All right," she said, "I 'll
do it; I 'll ma'y him. I might as well go de way both my chillen 's
gone. Po' Be'y, po' Be'y. Ef you evah do come out, Gawd he'p you to baih
what you 'll fin'." And Mrs. Hamilton rose and tottered from the room,
as if the old age she anticipated had already come upon her.
Kit stood looking after her, fear and grief in her eyes. "Poor ma," she
said, "an' poor pa. But I know, an' I know it 's for the best."
On the next morning she was up early and practising hard for her
interview with the managing star of "Martin's Blackbirds."
When she arrived at the theatre, Hattie Sterling met her with frank
friendliness.
"I 'm glad you came early, Kitty," she remarked, "for maybe you can get
a chance to talk with Martin before he begins rehearsal and gets all
worked up. He 'll be a little less like a bear then. But even if you
don't see him before then, wait, and don't get scared if he tries to
bluff you. His bark is a good deal worse than his bite."
When Mr. Martin came in that morning, he had other ideas than that of
seeing applicants for places. His show must begin in two weeks, and it
was advertised to be larger and better than ever before, when really
nothing at all had been done for it. The promise of this advertisement
must be fulfilled. Mr. Martin was late, and was out of humour with every
one else on account of it. He came in hurried, fierce, and important.
"Mornin', Mr. Smith, mornin', Mrs. Jones. Ha, ladies and gentlemen, all
here?"
He shot every word out of his mouth as if the after-taste of it were
unpleasant to him. He walked among the chorus like an angry king among
his vassals, and his glance was a flash of insolent fire. From his head
to his feet he was the very epitome of self-sufficient, brutal conceit.
Kitty trembled as she noted the hush that fell on the people at his
entrance. She felt like rushing out of the room. She could never face
this terrible man. She trembled more as she found his eyes fixed upon
her.
"Who 's that?" he asked, disregarding her, as if she had been a stick or
a stone.
"Well, don't snap her head off. It 's a girl friend of mine that wants a
place," said Hattie. She was the only one who would brave Martin.
"Humph. Let her wait. I ain't got no time to hear any one now. Get
yourselves in line, you all who are on to that first chorus, while I 'm
getting into my sweat-shirt."
He disappeared behind a screen, whence he emerged arrayed, or only half
arrayed, in a thick absorbing shirt and a thin pair of woollen trousers.
Then the work began. The man was indefatigable. He was like the spirit
of energy. He was in every place about the stage at once, leading the
chorus, showing them steps, twisting some awkward girl into shape,
shouting, gesticulating, abusing the pianist.
Public-domain text, read in full here on John Shaqi.
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