A few hours at least should be devoted to this preliminary experience,
and then you will probably be able to try the inside edge forward, which
is the first step to master. With your feet turned at an angle of 45°,
you will press downward with the ball of your left foot, so that you may
have a secure position from which to start, and you will slide forward
with your right foot only on the inside of the skate, balancing
yourself entirely on that foot. You will then bring the left foot
forward from the position it has held with the toe of the skate held
just off the ice behind the right foot, and pressing the inside edge of
the skate under the ball of the right foot into the ice, you will slide
forward with your left, striking out farther and farther as you find you
can keep your balance during the stroke. The position of the body should
be slightly sideways, with the face in the direction of progress.
To perform a half-circle and a circle will then be your aim, until you
can succeed with a perfect figure of 8. By the time you have mastered
this, you will be ready for the turn on both feet and the backward
stroke of the inside edge, after which the forward and backward stroke
of the outside edge will be your study. In all backward movement the
head must be turned in the point of direction, while the weight of the
body is thrown on the back part of the skate, instead of on the front
part as in a forward movement.
As soon as complete mastery of both edges has been gained, and that the
fate of the immortal Winkle may not be yours, you have learnt the art of
stopping, you will find all the simple figures within your powers. Do
not, however, be hurried into trying any combination, however simple,
until you have acquired the art of easy and graceful motion on the
inside and outside edges, both forward and backward.
The Hand-in-hand Figures are much in vogue among women in all countries,
and these are pretty and effective, as well as simple to execute by
anyone who has thoroughly grounded herself in the rudiments of skating.
The more usual way of executing these figures in this country is for the
partners, generally a man and a woman, to stand side by side, joining
their right hands underneath the left, which are also clasped sideways,
though occasionally what is known as the Austrian mode is adopted, viz.,
by the woman standing in front of her partner and bending her hands
under and backward at her side, when they are taken in the clasp of the
man behind.
Public-domain text, read in full here on John Shaqi.
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