The Spy: The Story of a Superfluous ManGorky, Maksim
History
The Spy: The Story of a Superfluous Man
Gorky, Maksim
Russia -- History -- Revolution, 1905-1907 -- Fiction; Russian fiction -- Translations into English; Spy stories
Klimkov walked off slowly, revolving in his mind what the women had said
to him. The cook's talk was too noisy, too forward, instantly creating
the impression that she did not speak her own sentiments, but echoed
those of another. As for Masha, her grief did not touch him. He had no
relatives, moreover he rarely experienced pity for people. Nevertheless
he felt that the general revolt everywhere noticeable was reflected in
the outcries of these women, and--the main thing--that such talk was
unusual, inhumanly brave. Yevsey had his own explanation of the event:
fear pushed people one against the other. Then those who were armed and
had lost their senses exterminated those who were unarmed and foolish.
But this explanation did not stand firm in Yevsey's mind, and failed to
calm his soul. He clearly realized from what he had seen and heard that
the people were beginning to free themselves from the thralldom of fear,
and were insistently and fearlessly seeking the guilty, whom they found
and judged. Everywhere large quantities of leaflets appeared, in which
the revolutionists described the bloody days in St. Petersburg, and
cursed the Czar, and urged the people not to believe in the
administration. Yevsey read a few such leaflets. Though their language
was unintelligible to him, he sensed something dangerous in them,
something that irresistibly made its way into his heart, and filled him
with fresh alarm. He resolved not to read any leaflets again.
Strict orders were given to find the printing office in which the
leaflets were printed, and to catch the persons who distributed them.
Sasha swore, and even gave Viekov a slap in the face for something he
had done. Filip Filippovich invited the agents to come to him in the
evenings, in order to deliver speeches to them. He usually sat in the
middle of the room behind his desk, resting the lower half of his arms
upon it, and keeping his long fingers engaged in quietly toying with the
pencils, pens, and papers. The various gems on his hands sparkled in
different colors. From under his black beard gleamed a large yellow
medal. He moved his short neck slowly, and his blue spectacles rested in
turn upon the faces of all present, who meekly and silently sat against
the wall. He scarcely ever rose from his armchair. Nothing but his
fingers and his neck moved. His heavy face, bloated and white, looked
like a face in a portrait; the hairs of his beard seemed glued together.
When silent, he was calm and staid, but the instant he spoke in his thin
voice, which screeched like an iron saw while being filed, everything
about him, the black frockcoat and the order, the gems, and the beard,
seemed to be stuck upon somebody else. Sometimes Yevsey fancied that an
artificial puppet sat in front of him, inside of which was hidden a
little shrivelled-up fellow, resembling a little red devil. If someone
were to shout at the puppet, he imagined, the little devil would be
Public-domain text, read in full here on John Shaqi.
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