Frontier and pioneer life -- West (U.S.) -- Fiction; Indians of North America -- West (U.S.) -- Fiction; Self-sacrifice -- Fiction
It was the sport of children, as indeed these men were to a great
extent—crude, rough, but with a sweetness not to be denied and a decency
that it might seem strange to find in such a place. So far their fun
might go, but they knew where to stop, and Faith Doolittle’s gentle face
was its own protection. They watched Hiram nervously leading his wife
along the platform down the line. Then they turned back to the saloon
and amused themselves by giving imitations of the quaint visitors, until
the place rang with their boisterous merriment.
Suddenly there was a rattle of spurs and a noise from without as a tall
cow-puncher lurched through the door.
In a moment there was silence. Every one knew the man.
"Hello, here’s Cash now," observed Shorty.
The innocent gayety was forgotten. A different expression began to
appear on the men’s faces. In Jim’s crowd it was one of sullen
rebellion and suppressed indignation, in the other an expectant desire
for real mischief. With Cash Hawkins’s entrance that afternoon, history
was made in Maverick.
*CHAPTER XV*
Cash Hawkins leaned against the bar and maliciously took in the silence
that followed his entrance into the saloon. He knew he was feared; he
had made more than one man there feel his power. Malignity was marked in
his demeanor and in the physiognomy of his face. He was lithe and
straight, with wiry, steel-like muscles. He had a small head with a
shock of tawny hair that he wore much longer than is usual with
ranchmen. The rawhide strap of his hat hung under his chin, and his
face, with its long, pointed wolf jaw, suggested that animal in its
expression of ferocious keenness. When he grew excited his mouth moved
convulsively, like an ugly trap ready to devour its prey. His hands
were curiously beautiful—long and slender, with almond-shaped nails.
The care he bestowed on them to keep their beauty in the midst of his
rough life, the gorgeousness of his leather chaps with their mounting of
silver, and the embroidery on his waistcoat betrayed his salient
weakness—inordinate vanity. He was handsome in a cruel, hard fashion.
Of his power as an athlete there was no question. In the saloon many
could testify to the devilish cunning of those supple hands.
"Got a bottle of ink handy, Nick?" he said, when he had insolently
surveyed the assemblage, who, after a pause, were beginning to talk and
settle down to new games.
Nick, who wished to be friendly with all who patronized him, answered:
"Ink? Ink is a powerful depressing drink, Cash."
"Drink!" Cash’s face grew livid with rage. "You see here, Nick, don’t
you joke with me; I ain’t in the humor for it. People has to know me
intimate to joke with me—savvy? You get me a pen and a bottle of ink
P.D.Q. I’m buying some cattle of Tabywana, the Ute chief—savvy? And
he’s got to put his mark to the contract."
Public-domain text, read in full here on John Shaqi.
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