It was singularly pleasant there, with the rustling blackness of the
wood behind them, and before them the sweep of the open farming country,
shimmering faintly in the light of the stars now beginning to show in
the great unbroken arch of the heavens.
Here the talk of the two men on the steps of the car was distinctly
audible, and Lydia, with much interest, pieced together a character and
life-history for each out of their desultory, friendly chat; but
presently they too fell silent, listening to the stir of the night
breezes in the forest. Lydia leaned her head against a tree and closed
her eyes.
She never knew if it were from a doze, or but from a reverie that she
was aroused by a sudden thrilling sound back of her--the clear, deep
voice of a distant 'cello. Her heart began to beat faster, as it always
did at the sound of music, and she sat up amazed, looking back into the
intense blackness of the wood. And then, like a waking dream, came a
flood of melody from what seemed to her an angel choir--fresh young
voices, throbbing and proclaiming through the summer night some joyous,
ever-ascending message. Lydia felt her pulses loud at her temples.
Almost a faintness of pleasure came over her. There was something
ineffably sweet about the disembodied voices sending their triumphant
chant up to the stars.
The sound stopped as suddenly as it began. The motorman stirred and
drew a long breath. "They do fine, don't they?" he said. "My oldest
girl's learning to sing alto with them."
"He ain't musical himself, is he?" asked the conductor.
"No; _he_ ain't. It's some Dutch friends that does the playing. But he
got the whole thing up, and runs the children. It's a nawful good thing
for _them_, let me tell you."
"What'd he do it for, I wonder," queried the conductor idly.
"Aw, I don't know. He's kind o' funny, anyhow. Said he wanted to teach
young folks how to enjoy 'emselves without spending money. That kind of
talk hits their _folks_ in the right spot, you bet. He owns a slice of
this farm, you know, and he's given some of the younger kids pieces of
ground for gardens, and he's got up a night class in carpentering for
young fellows that work in town all day. He's a crack-a-jack of a
carpenter himself."
"He'll run into the unions if he don't look out," prophesied the
conductor.
"I guess likely," assented the motorman. "They got after Dielman the
other day, did you hear, because he--" The talk drifted to gossip of the
world of work-people.
It stopped short as the 'cello again sent out its rich, vibrant
introduction to the peal of full-throated joy. There seemed to be no
other sound in all the enchanted, starlit world than this fervid
harmony.
Public-domain text, read in full here on John Shaqi.
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