Since this work first appeared in 1905, Maeterlinck's SISTER BEATRICE,
THE BLUE BIRD and MARY MAGDALENE, Rostand's CHANTECLER and Pinero's
MID-CHANNEL and THE THUNDERBOLT--among the notable plays by some of Dr.
Hale's dramatists--have been acted here. Discussions of them are added
to this new edition, as are considerations of Bernard Shaw's and Stephen
Phillips' latest plays. The author's papers on Hauptmann and Sudermann,
with slight additions, with his "Note on Standards of Criticism," "Our
Idea of Tragedy," and an appendix of all the plays of each author, with
dates of their first performance or publication, complete the volume.
_Bookman_: "He writes in a pleasant, free-and-easy way.... He accepts
things chiefly at their face value, but he describes them so accurately
and agreeably that he recalls vividly to mind the plays we have seen and
the pleasure we have found in them."
_New York Evening Post_: "It is not often nowadays that a theatrical
book can be met with so free from gush and mere eulogy, or so weighted
by common sense ... an excellent chronological appendix and full index
... uncommonly useful for reference."
_Dial_: "Noteworthy example of literary criticism in one of the most
interesting of literary fields.... Provides a varied menu of the most
interesting character.... Prof. Hale establishes confidential relations
with the reader from the start.... Very definite opinions, clearly
reasoned and amply fortified by example.... Well worth reading a second
time."
_New York Tribune_: "Both instructive and entertaining."
_Brooklyn Eagle_: "A dramatic critic who is not just 'busting' himself
with Titanic intellectualities, but who is a readable dramatic
critic.... Mr. Hale is a modest and sensible, as well as an acute and
sound critic.... Most people will be surprised and delighted with Mr.
Hale's simplicity, perspicuity and ingenuousness."
_The Theatre_: "A pleasing lightness of touch.... Very readable book."
HENRY HOLT AND COMPANY
PUBLISHERS -- NEW YORK
------------------------------------------------------------------------
Public-domain text, read in full here on John Shaqi.
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