The Standard Cantatas: Their Stories, Their Music, and Their Composers: A HandbookUpton, George P. (George Putnam)
History
The Standard Cantatas: Their Stories, Their Music, and Their Composers: A Handbook
Upton, George P. (George Putnam)
Cantatas -- History and criticism
The music to the Forty-second Psalm, familiarly known by the caption
which forms the title of this sketch, was first performed at the tenth
subscription Gewandhaus concert in Leipsic in 1838, Clara Novello taking
the soprano part. Though not constructed upon the large scale of the
"Hymn of Praise," or even of the "Walpurgis Night," it is a work which is
thoroughly artistic, and just as complete and symmetrical in its way. It
contains seven numbers. After a slow and well-sustained introduction, the
work begins with a chorus ("As the Hart pants after the Water Brooks, so
panteth my soul for Thee, O God") which is a veritable prayer in its
tenderness and expression of passionate longing. After the chorus a
delicate and refined soprano solo ("For my Soul thirsteth for God")
continues the sentiment, first given out in an oboe solo, and then
uttered by the voice in a beautifully melodious adagio. The third number
is a soprano recitative ("My Tears have been my Meat") leading to a
chorus in march time by the sopranos and altos ("For I had gone with the
Multitude; I went with them to the House of God"). Then follows a full
chorus beginning with male voices in unison ("Why, my Soul, art thou cast
down?"), answered by the female voices ("Trust thou in God"). Again the
soprano voice is heard in pathetic recitative ("O my God! my Soul is cast
down within me; all Thy Waves and thy Billows are gone over me"). A
beautiful quartet of male voices with string accompaniment replies: "The
Lord will command His Loving-kindness in the Day-time; and in the Night
His Song shall be with me, and my Prayer unto the God of my Life." The
response is full of hope and consolation; but through it all runs the
mournful strain of the soprano (forming a quintet at the end), coming to
a close only when the full chorus joins in a repetition of the fourth
number ("Trust thou in God"), this time elaborated with still greater
effect, and closing with a stately ascription of praise to the God of
Israel.
The Gutenberg Fest-Cantata.
The occasion for which the short festival cantata known as the
"Gutenberg" was written, was the fourth centennial celebration of the art
of printing, which was observed at Leipsic in 1840 by the unveiling of
Gutenberg's statue in the public square, and other ceremonies. The
direction of the musical part of the festivity was intrusted to
Mendelssohn. The text for the hymn to be sung at the unveiling, which
occurred on the morning of June 24, immediately after the public service
in Church, was furnished by Adolphus Prölsz, a teacher in the Gymnasium
at Freiberg. Lampadius, in his Life of Mendelssohn, says of the
performance:--
Public-domain text, read in full here on John Shaqi.
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