The Standard Cantatas: Their Stories, Their Music, and Their Composers: A HandbookUpton, George P. (George Putnam)
History
The Standard Cantatas: Their Stories, Their Music, and Their Composers: A Handbook
Upton, George P. (George Putnam)
Cantatas -- History and criticism
"Christophorus," a legend, as Rheinberger calls it, was written in 1879,
and is composed for barytone, soprano, and alto solos, chorus, and
orchestra. Its subject is taken from the familiar story of the giant who
bore the infant Christ across the flood. The chorus acts the part of
narrator, and in its opening number relates the legend of Christophorus'
wanderings and his arrival before the castle whose master he would serve.
He offers his services, but when they are accepted as an offering from
the gods he haughtily declares that he only serves "for fame and
chivalry." A voice thereupon in an impressive solo ("Trust not this
loud-voiced Stranger") warns him away as an envoy of Satan, and the
chorus repeats the warning. The giant departs with the intention of
drawing his sword in Satan's cause,--
"For he alone must be lord of all,
Whose name doth so valiant a monarch appall."
In a very picturesque number the chorus describes his wanderings among
the mountain crags and rocks where Satan weaves his spells about him; and
then suddenly changing to a tender, delicate strain ("Over us Stars
shine") anticipates the Voice, which in a sensuous aria ("Who is the
sovereign Lord of the Heart?") sings the power of love. In graceful
chorus the spirits taunt him, whereupon he once more resolves to fly and
to abandon the cause of Satan, but is thwarted by them. A weird chorus
closes the first part ("Satan a-hunting is gone"), ending with an
impressive strain:--
"Stormily falleth the night:
Frightened maidens fleeing,
Demon hordes all around.
'A cross, see, upraised!
Fly, master! too far we have come.
Hallowed is the ground.'"
The second part opens with a reflective soliloquy by the giant, followed
by a plaintive chorus ("All now is lone and silent") describing the
suffering of our Saviour on the cross and the sadness of a hermit gazing
upon the scene. The giant approaches the latter, and a dialogue ensues
between them, in which the identity of the victim on the cross is
revealed. Having found the King of the universe, Christophorus determines
to devote himself to His cause, and inquires how he may serve Him. He is
informed he must go to the swiftly-rolling river and carry the pilgrims
across. A chanting chorus ("As flows the River seawards, so onward glide
the Years") describes the work of the faithful toiler. Then comes a voice
calling him, and he beholds an Infant waiting for him. He takes Him upon
his shoulders and bears Him into the flood, but as he advances, bends and
struggles beneath his load "as though the whole world he bore." He
inquires the meaning, and the Voice replies:--
"Thou bear'st the world and bearest its Creator:
This Child is Jesus, God's own Son.
Soldier of Christ!
Thine arms were charity and mercy,
The arms of love.
Now mayst rejoice:
The prize of thy faith is won."
A joyful, exultant chorus, ("Blessed of Rivers, the Child embrace")
closes this very graceful little "legend."
Public-domain text, read in full here on John Shaqi.
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