The Standard Cantatas: Their Stories, Their Music, and Their Composers: A HandbookUpton, George P. (George Putnam)
History
The Standard Cantatas: Their Stories, Their Music, and Their Composers: A Handbook
Upton, George P. (George Putnam)
Cantatas -- History and criticism
The cantata opens with an animated instrumental introduction, "Frithjof's
Return," leading to the barytone recitative and aria ("How bravely o'er
the Flood so bright"),--a very expressive song, interspersed with the
tender, graceful chorus of his companions ("O, 'tis Delight when the Land
far appeareth"). The second scene is preluded with a wedding march, whose
blithe measures are in marked contrast with the bridal chorus ("Sadly the
Skald walks before the Train"), and Ingeborg's song ("My Heart with
Sorrow overflowing"), which describes her grief over her unhappy destiny.
The third scene ("Frithjof's Revenge"), for barytone, chorus, and
orchestra, is one of great power in its dramatic and descriptive
character, as well as in its masterly instrumentation. It begins with a
chorus of priests ("Midnight Sun on the Mountain burns"), gradually
accelerating until it is interrupted by Frithjof's cry ("Go to Helas'
dark Abode"). Three bars of chorus intervene ("Woe! O wicked Deed"), when
Frithjof, after a short recitative, sings a spirited aria ("Where my
Father rests"). At its close, as he rescues Ingeborg's ring and fires the
temple, the chorus resumes ("Woe! he tugs with all his Might at the
Ring"). The choral finale of this scene, with its effective
instrumentation, is a masterpiece of dramatic music, worthy to rank with
the highest work of its kind in opera. After the storm, the calm. In that
calm occurs a melodical episode of an extraordinary character. The melody
itself is so unlike anything which precedes or follows it that it must
have been interpolated. In grateful contrast with the revenge of
Frithjof, the burning of the temple, and the curses of the infuriated
priests, comes the fourth scene, "Frithjof's Departure from the
Northland,"--a solo quartet for male voices ("Sun in the Sky now mounteth
high"), of exquisite harmony, leading up to and accompanying a barytone
solo which has rarely been surpassed in the tender beauty of its melody
or the majestic sonority of its style:[19]--
"World's grandest region, thou mighty North!
From thy dominions I am driven forth;
Within thy border I lov'd to dwell;
Midsummer sun, farewell, farewell.
Thou mighty North, farewell.
My love is foiled, my roof-tree rent,
Mine honor soiled, I in exile sent!
Cheerless is my soul within me,
Hopeless I must bear my lot.
Ye rugged mountains, where heroes dwell,
And Thor commandeth clouds and winds;
Ye azure lakes, that I love so well,
Ye woods and brakes, farewell."
Public-domain text, read in full here on John Shaqi.
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