The Standard Cantatas: Their Stories, Their Music, and Their Composers: A HandbookUpton, George P. (George Putnam)
History
The Standard Cantatas: Their Stories, Their Music, and Their Composers: A Handbook
Upton, George P. (George Putnam)
Cantatas -- History and criticism
Frederick Grant Gleason was born at Middletown, Conn., Dec. 17, 1848. He
inherited the love of music from his parents,--his father having been a
flutist and his mother an alto singer and pianist. In his sixteenth year
he showed a decided talent for composition; and two of his works, an
oratorio, "The Captivity," and a Christmas oratorio, though crudely
written, gave such promise that he was placed under the tuition of Dudley
Buck, with whom he studied the piano and composition. He made such rapid
progress that his parents were induced to send him to Germany, where he
at once entered the Leipsic Conservatory. Moscheles taught him the piano,
and Richter harmony, and he also took private lessons from Plaidy and
Lobe. In 1870 he went to Berlin, where he continued his piano studies
with Raif, a pupil of Tausig, and his tuition in harmony with Weitzmann.
After a visit home he went to England and resumed lessons on the piano
with Berringer, another pupil of Tausig, and also studied English music.
He subsequently made a second visit to Berlin, and improved his time by
studying theory with Weitzmann, the piano with Loeschorn, and the organ
with Haupt. During this visit he also issued a valuable work entitled
"Gleason's Motet Collection." After the completion of his studies he
returned home and accepted the position of organist at one of the
Hartford churches. In 1876 he removed to Chicago and engaged as teacher
in the Hershey School of Musical Art. At present he is still occupied in
teaching and also fills the position of musical critic for the "Tribune"
of that city. During these years his pen has been very busy, as the list
of his compositions shows. Among his principal works are two operas,
still in manuscript,--"Otho Visconti" and "Montezuma;" the cantatas "God
our Deliverer," "The Culprit Fay," and "Praise of Harmony;" and several
trios, sonatas, and other works for the chamber, as well as many songs.
The selections from his operas which have been played by the Thomas
orchestra show that they are compositions of unusual excellence and
scholarship.
The Culprit Fay.
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