A graceful chorus ("Soft and pale is the moony Beam") opens the second part, picturing the scene upon the strand bordering the elfin land; and the leaps of the sturgeon, followed by a tenor solo and recitative describing the sorrow of the lonely sprite and his desperate effort to push his mussel-shell boat down to the verge of the haunted land. The alto, which does all the mystery work, goes on with the description of the vain attempt of the river imps to wreck his frail craft, and his discovery and pursuit of the sturgeon; then there is a pause. The full chorus, in a quick movement, pictures the pretty scene of the sturgeon's leap, the arch of silver sheen, and the puny goblin waiting to catch the drop. The tenor recitative announces his success, and a full jubilant chorus of the sprites ("Joy to thee, Fay! thy Task is done") bids him hasten back to the elfin shore. The third part opens with a full chorus, very animated in its progression ("Up to the Cope, careering swift"), describing the ride of the Fay past the sphered moon and up to the bank of the Milky Way, where he checks his courser to wait for the shooting star. In the next number, a short recitative, the alto has a more grateful task; this time it is the graceful sylphs of heaven who appear, weaving their dance about the Fay, and leading him on to the palace of the Sylphide Queen. It is followed by two charming soprano solos,--the one descriptive of her beauty as she listens to the story of the Fay, and the other ("O Sweet Spirit of Earth") of her sudden passion and the tempting inducements by which she seeks to make him forget the joys of fairy-land. Once more the tenor, who plays the part of narrator, enters, and in solo and recitative assures us how like a brave homunculus the Fay resisted her blandishments. A very vigorous and descriptive chorus, as fast as can be sung, pictures the Fay careering along on the wings of the blast up to the northern plain, where at length a star "bursts in flash and flame." The tenor announces his second success, and the final chorus ("Ouphe and Goblin! Imp and Sprite") sings his welcome back in an animated manner, beginning with a moderate movement which constantly accelerates and works up to a fine climax; after which-- "The hill-tops glow in morning's spring, The skylark shakes his dappled wing, The day glimpse glimmers on the lawn, The cock has crowed and the fays are gone." The Praise Song to Harmony. "The Praise Song to Harmony," written in 1886, is a musical setting of a poem of the same name by David Ebeling, a German poet who lived in the latter part of the eighteenth century. The composition is in a strict sense a symphonic cantata, somewhat in the manner of Mendelssohn's "Hymn of Praise," being prefaced with a symphonic allegro in the classical form which is written in a very scholarly manner and displays great skill in thematic treatment.