The Standard Oratorios: Their Stories, Their Music, And Their ComposersUpton, George P. (George Putnam)
Religion
The Standard Oratorios: Their Stories, Their Music, And Their Composers
Upton, George P. (George Putnam)
Oratorio
Anton Gregor Rubinstein was born, Nov. 30, 1829, at the village of
Wechwotynetz, in Russia. His parents, who were in moderate circumstances,
moved to Moscow during his infancy, and in that city he received his
first musical instruction. His mother gave him lessons at the age of
four, with the result that by the time he was six she was unable to teach
him anything more. He then studied the piano with Alexander Villoing, a
pupil of John Field. His first composition appeared in his twelfth year,
and soon his songs and two and four hand piano-pieces began to attract
the attention of musicians. In 1840 Villoing took him to Paris and placed
him in the Conservatory, where he attracted the attention of Liszt,
Chopin, and Thalberg. He remained in that city eighteen months, devoting
himself to unremitting study, and then made some professional tours, in
which he met with extraordinary success, particularly in England. From
that country he went to Holland and Sweden, everywhere meeting with an
enthusiastic reception. In 1844 his parents removed to Berlin, and he was
placed under Dehn, the famous contrapuntist, to study composition, his
brother Nicholas being a companion in his work. The father dying in 1846,
the mother and Nicholas returned to Russia, leaving Anton alone. During
the next two years he taught music in Pressburg and Vienna, and in the
latter part of 1848 went back to Russia. About this time he received an
honorary musical appointment from the Grand-Duchess Helene. For eight
years he studied and wrote in St. Petersburg, and at the end of that time
had accumulated a mass of manuscripts destined to make his name famous
all over Europe, while his reputation as a skilful pianist was already
world-wide. He visited England again in 1857, and the next year returned
home and settled in St. Petersburg, about which time he was made Imperial
Concert Director, with a life-pension. At this period in his career he
devoted himself to the cause of music in Russia. His first great work was
the foundation of the Conservatory in the above city in 1862, of which he
remained principal until 1867. He also founded the Russian Musical
Society in 1861, and in 1869 was decorated by the Czar. In 1870 he
directed the Philharmonic and Choral Societies of Vienna, and shortly
afterwards made another tour, during which, in 1872, he came to this
country with the eminent violinist Wieniawsky, as will be well
remembered. His visit here was marked by a succession of ovations. No
other pianist ever achieved such a wonderful success, not only among
musicians, but among the people of all classes. Musicians were astounded
at his remarkable knowledge, while musical and unmusical people alike
were carried off their feet by the whirlwind-style of his playing. It was
full of grace, nobility, breadth, and dignity; but it combined with these
qualities a fire, an intensity, and a passion which sometimes invested
the piano with orchestral effects, and again transformed it into an
Public-domain text, read in full here on John Shaqi.
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