The Standard Oratorios: Their Stories, Their Music, And Their ComposersUpton, George P. (George Putnam)
Religion
The Standard Oratorios: Their Stories, Their Music, And Their Composers
Upton, George P. (George Putnam)
Oratorio
"The Prodigal Son," the first of Sullivan's oratorios, was written for
the Worcester Festival in England, and performed for the first time Sept.
8, 1869. It is a short work, comprising but eighteen numbers, and very
melodious in character. In his preface to the work the composer says,--
"It is a remarkable fact that the parable of the Prodigal Son should
never before have been chosen as the text of a sacred musical
composition. The story is so natural and pathetic, and forms so
complete a whole; its lesson is so thoroughly Christian; the
characters, though few, are so perfectly contrasted; and the
opportunity for the employment of local color is so obvious,--that it
is indeed astonishing to find the subject so long overlooked.
"The only drawback is the shortness of the narrative, and the
consequent necessity for filling it out with material drawn from
elsewhere. In the present case this has been done as sparingly as
possible, and entirely from the Scriptures. In so doing, the Prodigal
himself has been conceived, not as of a naturally brutish and depraved
disposition,--a view taken by many commentators, with apparently little
knowledge of human nature, and no recollection of their own youthful
impulses,--but rather as a buoyant, restless youth, tired of the
monotony of home, and anxious to see what lay beyond the narrow
confines of his father's farm, going forth in the confidence of his own
simplicity and ardor, and led gradually away into follies and sins
which at the outset would have been as distasteful as they were strange
to him. The episode with which the parable concludes has no dramatic
connection with the former and principal portion, and has therefore not
been treated."
Public-domain text, read in full here on John Shaqi.
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