The Standard Oratorios: Their Stories, Their Music, And Their ComposersUpton, George P. (George Putnam)
Religion
The Standard Oratorios: Their Stories, Their Music, And Their Composers
Upton, George P. (George Putnam)
Oratorio
The work opens with a prologue chorus ("There shall come forth a Rod out
of the Stem of Jesse"), at the close of which the "Bethlehem" scene
begins. It is preluded with a quiet but effective pastoral movement for
the orchestra, a tenor recitative ("There were Shepherds abiding in the
Field"), and a contralto solo announcing the heavenly message to the
Shepherds, which lead up to a spirited "Gloria" by the sopranos and
altos, followed by a chorus of the Shepherds ("Let us now go even unto
Bethlehem") for male voices. A Shepherd, in brief recitative passages,
declares to Mary, "Blessed art thou among Women," followed by the soprano
solo, "My Soul doth magnify the Lord." After the Virgin's expression of
thanks, the Shepherds join in the chorus, "The whole Earth is at rest,"
which is peculiarly striking in its contrasts. A short recitative by the
Angel, warning Mary to flee into Egypt, is followed by a very sombre
chorus ("In Rama was there a Voice"). At its close, the tenor is heard in
a tender aria ("Refrain thy Voice from weeping"), leading to a chorus
full of spirited harmony, and rising to a very effective climax ("I will
pour My Spirit"), which closes the scene.
The "Nazareth" scene opens with a baritone solo ("The Spirit of the Lord
is upon me"), in which Jesus declares himself in the synagogue as the
object of the prophecy from Isaiah which he has been reading. The Jews
answer in a very dramatic chorus ("Whence hath this Man his Wisdom?").
Again Jesus interposes with the declaration, "A prophet is not without
honor save in his own country;" whereupon the people break out in a still
more dramatic chorus ("Is not this Jesus?"), set to a very effective
accompaniment. For the third time Jesus declares himself, followed by the
stirring, furious chorus, "Why hear ye him?" A tender and at times fervid
solo ("Lord, who hath believed our Report?") leads to a very effective
quintet ("Doubtless Thou art our Father"). After another brief baritone
solo ("Blessed are they"), we come to the chorus, "He maketh the Sun to
rise," which is one of the most beautifully written in the work, and
closes the scene.
The third scene, "Lazarus," begins with the description of the mournful
journey to Bethany, the arrival among the kindred and friends, who are
trying to comfort the bereaved sisters, and closes at the still unopened
grave. It includes a duet between tenor and baritone, the former a
Disciple, the latter Jesus, whose music is invariably sung by the
baritone voice; a solo for alto ("Weep ye not for the Dead"), with a
sombre orchestral prelude, and accompanied by a chorus in its close; a
dialogue between Martha and Jesus ("Lord, if thou hadst been here"); a
short but very beautiful chorus ("Behold how he loved him!"); the
baritone solo, "Said I not unto thee;" and a final chorus of great power
("The Grave cannot praise thee").
Public-domain text, read in full here on John Shaqi.
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