It has already been said, in the analysis of the last named-work, that in January, 1739, Handel took the King's Theatre in the Haymarket, his purpose being to give oratorios twice a week. "Saul" was the first of the series; and in this connection the following advertisement, which Schoelcher reprints from the London "Daily Post" of Jan. 3, 1739, will be of interest:-- "We hear that on Tuesday se'en night the King's Theatre will be opened with a new oratorio composed by Mr. Handel, called 'Saul.' The pit and boxes will be put together, the tickets delivered on Monday the 15th and Tuesday 16th (the day of performance), at half a guinea each. Gallery 5_s._ The gallery will be opened at 4; the pit and boxes at 5. To begin at 6." The first performance took place as announced, and the second on the 23d, "with several new concertos on the organ,"--which instrument also plays a conspicuous part in the oratorio itself, not only in amplifying the accompaniment, but also in solo work. In 1740 it was performed by the Academy of Ancient Music in London, and in 1742 in Dublin. Selections were also given from it in the great Handel Commemoration at Westminster Abbey in 1784, and in 1840 it was revived by the Sacred Harmonic Society of London, since which time it has occupied an important place in the oratorio repertory. The story closely follows the Biblical narrative of the relations between David and Saul. The words have been attributed both to Jennens and Marell; but the balance of evidence favors the former,--a poet who lived at Gopsall. The overture, marked "Symfonie" in the original manuscript, is the longest of all the Handel introductions. It is in four movements, the first an allegro, the second a largo (in which the organ is used as a solo instrument), the third an allegro, and the fourth a minuetto. It is an exceedingly graceful and delicate prelude, and makes a fitting introduction to the dramatic story which follows. The characters introduced are Saul, king of Israel; Jonathan, his son; Abner, captain of the host; David; the apparition of Samuel; Doeg, a messenger; an Amalekite; Abiathar, Merab, and Michal, daughters of Saul; the Witch of Endor; and the Israelites. The very dramatic character of the narrative admirably adapts it to its division into acts and scenes. The first act is triumphant in its tone and expressive of the exultation of the Israelites at their victory over the Philistines. The second gives a story of the passions,--Saul's jealousy of David, the love of Michal, and the ardent friendship between David and Jonathan. The last act is sombre in its character, opening with the weird incantations of the Witch, and closing with David's grief over Saul and Jonathan.