The Standard Oratorios: Their Stories, Their Music, And Their ComposersUpton, George P. (George Putnam)
Religion
The Standard Oratorios: Their Stories, Their Music, And Their Composers
Upton, George P. (George Putnam)
Oratorio
Joseph Haydn, the creator of the symphony and the stringed quartet, was
born at Rohrau, a little Austrian village on the river Leitha, March 31,
1732. His father was a wheelwright and his mother a cook, in service with
Count Harrach. Both the parents were fond of music, and both sang, the
father accompanying himself upon the harp, which he played by ear. The
child displayed a voice so beautiful that in his sixth year he was
allowed to study music, and was also given a place in the village
church-choir. Reutter, the capellmeister of St. Stephen's, Vienna, having
heard him, was so impressed with the beauty of his voice that he offered
him a position as chorister. Haydn eagerly accepted it, as it gave him
opportunities for study. While in the service of St. Stephen's he had
lessons on the violin and piano, as well as in composition. When his
voice broke, and his singing was of no further value, he was thrown upon
the tender mercies of the world. Fortune favored him, however. He
obtained a few pupils, and gave himself up to composition. He made the
acquaintance of Metastasio, Porpora, and Gluck. His trios began to
attract attention, and he soon found himself rising into prominence. In
1759, through the influence of a wealthy friend and amateur, he was
appointed to the post of musical director and composer in the service of
Count Morzin, and about this time wrote his first symphony. When the
Count dismissed his band, Prince Paul Anton Esterhazy received him as his
second capellmeister, under Werner. When the latter died, in 1766, Haydn
took his place as sole director. His patron, meanwhile, had died, and was
succeeded by his brother Nicolaus, between whom and Haydn there was the
utmost good feeling. Up to this time Haydn had written thirty symphonies,
a large number of trios, quartets, and several vocal pieces. His
connection with the Prince lasted until 1790, and was only terminated by
the latter's death. But during this period of twenty-eight years his
musical activity was unceasing; and as he had an orchestra of his own,
and his patron was ardently devoted to music, the incentive to
composition was never lacking. Anton succeeded Nicolaus, and was generous
enough to increase Haydn's pension; but he dismissed the entire chapel,
and the composer took up his abode in Vienna. He was hardly established
before he received a flattering proposition from Salomon, the manager, to
go to England. He had already had many pressing invitations from others,
but could not accept them, owing to his engagement at Esterhazy. Now that
he was free, he decided to make the journey. On New Year's Day, 1791, he
arrived in London. Success greeted him at once. He became universally
popular. Musicians and musical societies paid him devoted attention. He
gave a series of symphony concerts which aroused the greatest enthusiasm.
He was treated with distinguished courtesy by the royal family. Oxford
gave him the honorary degree of Doctor of Music. The nobility entertained
Public-domain text, read in full here on John Shaqi.
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