Great Britain -- History -- George IV, 1820-1830 -- Fiction; Love stories; Widows -- Fiction
With quick hands she unbarred a shutter and, her impetuous strength
making little of rusty resistance, flung open the casement before he had
had time to divine her intention. He halted on his way to help her,
arrested by the gush of blinding light and the blast of wild wind, that
seemed to leap at his throat.
“Oh,” she exclaimed, standing in the full ray and breathing in—so it
seemed to him—both the elements. “Oh, the warm light, the sweet air!”
A line of Shakespeare awoke in some corner of his memory: “A thing of
fire and air.” ... How vividly it seemed to fit her then!
Without, the changeful day had turned to wind and sun. She stood in the
very shaft of the light, in the flood of the breeze; he stood watching
her from within, in the gloom and the stagnation. Her black gown
fluttered and turned flame at the edges; alternately clung to, and waved
away from her straight limbs, now revealing, now throwing into shadow
the curves of a foot that, in its sandal, pressed the ground as lithely
as ever a Diana’s arrested on the spring. The fresh airs engulfed
themselves under her kerchief into her white bosom. It was as if he
could watch them playing around her throat, even as if he could see them
fluttering and flattering her hair.... Her hair! The sun’s sparkles had
got into it! Now it rose, nimbus-like; now it danced, a spray of fire,
back from her forehead; now again, under the flying touches, it fell
back and rippled like a cornfield in the breeze.
This radiant creature! The more Sir David looked, the further apart he
felt his fate from hers. She seemed to belong all to the dancing wind
and the glad sun-light. From such an one as he, from his melancholy, his
gloom, his fading life, she seemed as much cut off as ever the
unattainable stars from his wondering night watch.
Thus they stood for the space of a minute. Then Ellinor turned. Light
and freshness now filled the great room. The keen breath of the woods
gaily drove into corners and chased away the mouldy vapours, the vague,
shut-up breath of the old brocades, of the crumbling potpourris, of the
sandal-wood and Indian rose; even as the light of Heaven drove the
shadows back under the cabinets and behind the pillars, and awoke to
life the gold moulding and the fleur-de-lis on the white walls, the
delicate wreaths and tracery on the trellised ceilings.
“See, cousin David, the ghosts are gone!”
But the man had withdrawn to the shadow. There was now no answering
light in his eye. He had now no phrase, tardy in coming, yet quick in
the sympathy of her thought, such as had before delighted her. What had
come to him? She gave a little laugh; the vigour, the freedom from
without had got so keenly into her veins that she was as though
intoxicated.
“I vow,” she cried, “you are like a ghost yourself! Why, you look like a
dim knight from the tapestry yonder in the hall, wandering ...”
Public-domain text, read in full here on John Shaqi.
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