Great Britain -- History -- George IV, 1820-1830 -- Fiction; Love stories; Widows -- Fiction
A stout old man with a reddening nose may be no unpleasant picture if
superabundance of flesh and misplacement of carmine bear witness to
jollity and good cheer; but oh lamentable spectacle if melancholy droop
that ruby nose; if fat cheeks hang disconsolate! Then for every added
ounce of avoirdupois is added a pound of misery. Your melancholy thin
man is fitted by nature to bear his burden, but the sad fat man seems to
deliquesce, to collapse—so much in his case is affliction against the
obvious design of nature!
From the inner pantry door Margery stood a moment and contemplated her
fellow servant awhile, with an air of deeper commiseration than her
usually set visage was wont to express. Then she carefully closed the
door and advanced to the table. In her rolled up apron she was clasping
something with both hands.
“Eh,” she said, in a long drawn note, “it do go to my heart, Mister
Giles, to see you so cast down!”
The butler rolled his lack-lustre eye from the mug of beer to the
housekeeper’s countenance; then his underlip began to tremble.
“Ah,” he answered, “that stuff is killing me, Mrs. Nutmeg. The cold of
it on my stomach! It’ll creep up to my heart some of these nights, it
will! And that will be the end of poor old faithful Giles!”
A tear twinkled on his vast cheek. He stretched out his hand for the
glass, gulped a mouthful of it and replaced it on the table, drawing
down the corners of his mouth into a grimace not unlike that which in an
infant heralds a burst of wailing.
“Cold, cruel, poisonous stuff, that lies as heavy as heavy! Half a
caskful, ma’am will not stimulate a man as much as half a wineglassful
of port-wine or sherry-wine. It’s murder—that’s what it is!”
“Murder it is,” assented Margery. She took the glass and threw its
contents into the grate: sympathy personified. Then she began to move
about the room with an air of so much mystery that Giles’ attention was
faintly roused in something external to himself and to the odiousness of
small-ale.
Mrs. Nutmeg went to the pantry door, listened a moment with stooped
head, then released her right hand from the enfolded object and turned
the key in the lock. Stepping to the high-set window, she next squinted
east and west, as if to make sure that no watchers were about; then
returned to the table, slowly unrolled her apron and displayed to the
butler’s astonished gaze a black bottle, cobwebbed, dust-crusted,
red-sealed—a bottle of venerable appearance and, to the initiated, of
Olympian promise. With infinite precaution she tilted it into a vertical
position and placed it on the table, displaying in so doing the dusty
streak of whitewash which had marked the upper side of its repose these
twenty years. Into old Giles’ expressionless stare leaped a light of
rapturous recognition.
“The Comet port, by gum! The port from the fifth bin!”
Public-domain text, read in full here on John Shaqi.
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