Art students -- Fiction; Aunts -- Fiction; Love stories; New York (N.Y.) -- Juvenile fiction; Orphans -- Fiction; Young women -- Fiction
He talked a little, very quietly of trivial things, sometimes to her,
sometimes to the others, and Ruth took courage from his calmness. Only
as the party grew more gay it seemed to her that under all the sparkle
and the gaiety there was a silence louder than the noise, like the heavy
hush that falls on nature before the thunder clap and the revealing
flash have ushered in a storm. So strong was this sense of waiting that
when their host stood with upraised glass, her hand instinctively went
out and rested for a brief second on Professor Pendragon’s arm, as if
she would shield him. Then she saw Terry looking at her, and remembering
what Angela had said to her that afternoon, she quickly withdrew it.
There had been no need to touch him, for Pendragon, like the others at
the table, turned his attention to John Peyton-Russell, listening to his
words as if they held no especial significance for him.
“I want John to make the announcement,” Angela had said. “It gives him
such pleasure to make speeches. He simply adores it.”
Evidently she knew her husband’s tastes, for with the halting words and
awkward phraseology of the man accustomed to addressing nothing gayer
than a board of directors’ meeting, he stumbled at great length and with
obvious self-satisfaction through a speech in which he proposed that
they drink to the approaching marriage of Gloria Mayfield and Prince
Aglipogue.
His words were greeted with enthusiasm by all those to whom they meant
nothing except that a more or less famous actress was to marry a fat
foreign prince. Ruth heard a woman near her whisper to the man at her
right:
“Will this make her third or her fourth?”
And the response:
“I’ve lost count.”
The Prince was responding now—something stilted and elaborate, but Ruth
did not hear. The dinner had become a nightmare. She wanted to escape.
Concealed in the girdle of her frock was the little revolver that Terry
had given her. She could feel its weight, and it comforted her.
Somehow the dinner ended and Ruth with the others followed Angela to a
drawing-room that had been denuded of rugs for dancing. A few months
before Ruth would have thought all these people charming, the women
beautiful, the men distinguished. Now they were repulsive to her. How
could they listen unprotesting to the announcement that Gloria, the
beautiful and good (no power on earth could have persuaded Ruth that
Gloria was not good), was to marry an ugly ogre like Prince Aglipogue?
His fat face wreathed in smiles now, he stood, tucking his violin under
his third chin, and then he played—he played, and even Ruth forgot the
source of the music. It was not Prince Aglipogue that played, but some
slender, dark Hungarian gypsy whose music was addressed to an
unattainable princess, ’neath whose window he stood, bathed in
moonlight. She threw a rose to him and he crushed it against a heart
that broke with joyous pain of loving.
Public-domain text, read in full here on John Shaqi.
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