Art students -- Fiction; Aunts -- Fiction; Love stories; New York (N.Y.) -- Juvenile fiction; Orphans -- Fiction; Young women -- Fiction
Regardless of grammar, Ruth knew that the masculine pronoun could refer
to only one person. Down three flights of stairs she could hear a
tuneless but valiant whistle.
“I wonder why he’s coming home so soon?” continued Dorothy. “I’ll shut
the door tight so he won’t see us. I’m not going to make it easy for him
to come back.”
She closed the door as she spoke and the two girls waited, trying to
keep up a hum of conversation. Dorothy’s agitation communicated itself
to Ruth.
“Will he come here?” she asked.
“I don’t know; he always did before, but now, he may just be coming in
to get something and then dash out again to meet her.” She walked to the
window and looked out:
“There’s no one down there waiting for him.” She came back to her place
at the tiny table.
The whistle had mounted all three flights now, and paused a moment
before their door. Dorothy began talking unconcernedly. They heard him
enter his own studio. The whistle was resumed and they could hear him
moving restlessly about. A match was struck, then another; then silence,
then footsteps and a knock at the door.
“Come in,” called Dorothy, and the door opened, disclosing a rather
shame-faced Nels, who, however, was determined to appear as if nothing
had happened.
“Looks like a party,” he said.
“It is a party,” said Ruth.
“I hope I’m not intruding—I thought Dorothy was alone.”
“We were chattering continuously enough for any one to hear us,” said
Dorothy. “Would you like a cup of tea?”
“Thanks—I suppose that means, too, that I can come in and sit down and
share your gossip, and everything,” said Nels, seating himself forthwith
on the couch-bed—not a chaise longue—but an ugly bed disguised as a
couch—without which no cheap studio or hall bedroom is complete.
Much is written about the “feminine touch” which makes home of the most
ordinary surroundings. Ruth thought of it as she looked at Dorothy’s
room. Perhaps, she decided, artistic women are an exception to this
rule. Dorothy had knowledge of beautiful things, more knowledge than the
average woman, but no one would have guessed it from the untidy
shabbiness of her studio. Only the bright samovar and the roses, thrown
into relief by the firelight, which with the same magic threw dusty
corners into shadow and seemed to gild the ugly, broken-down furniture
into beauty, threw a glamour over the place now and made it seem quite
different from the cheerless room they had entered over an hour before.
The rain was bringing a premature twilight which made the firelight
doubly welcome. Nels felt the change and looked about him as if in
unfamiliar surroundings.
“This is certainly cheery,” he said, taking the cup Dorothy offered him.
“And roses!” He looked inquiringly at Ruth.
“No, I’m not the lucky girl; some admirer of Dorothy’s.”
Public-domain text, read in full here on John Shaqi.
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