Art students -- Fiction; Aunts -- Fiction; Love stories; New York (N.Y.) -- Juvenile fiction; Orphans -- Fiction; Young women -- Fiction
The Prince was approaching, his great bulk thrusting aside the lesser
human atoms in the station. Ruth was amazed to see that his curious
travelling costume was finished by a top hat and wondered whether he
would wear it in the train and in the sleigh from North Adams. Over the
collar of his fur-lined overcoat his huge face rose, placid and
self-satisfied, until he spied the waiting group with Gloria not among
them.
“Has she not yet come?” he asked. “The time of the train is immediate;
we will miss it.”
“Gloria has decided to take the evening train,” said Terry.
“Then I also will wait.”
“No, she especially asked that we all go ahead just as planned. Here’s
George to take care of everything,” said Ruth.
“Did she send to me no personal message?”
“No; just that,” Ruth took pleasure in watching his face, like a
cloud-flecked moon, in its annoyance. “We were all to go ahead and
explain to Mrs. Peyton-Russell that Gloria will arrive in the morning.”
Just then the gate was opened and Prince Aglipogue, still frowning,
followed them reluctantly through it, in front of George and the two
porters, who were helping him carry travelling bags.
When they were all comfortably disposed in their seats Ruth began to
fear that it would be rather an unpleasant journey, for Prince
Aglipogue, unhappy himself, was determined that the others should be,
too, if he could make them so.
Only the amused light in Terry’s eyes gave her courage. Prince Aglipogue
began with a monologue about rotten trains, stupid country houses,
beastly cold and the improbability of Gloria’s coming at all, and
finally worked himself up into a state of agitation bordering on tears,
which would have made Ruth laugh had she not been afraid.
“It is unkind of her to leave us this way. For herself she sleeps
comfortably at home, while I rise at this unchristian hour for her
sake,” he protested, more to himself than to the others, for he seemed
determined to ignore them. His next phase was one of annoyance at his
own discomfort.
Why had not the Peyton-Russells themselves provided a drawing-room for
him? They were “filthy” with money, and he was not accustomed to
travelling in this public manner in spite of the fact that he was only a
poor artist. Then he became worried about his luggage, which had
consisted of a single dressing-case. He had entrusted it to George, and
who knew what had become of it? He lurched off in search of George some
place in the rear cars to find out.
“I’d buy him a drawing-room just to get rid of him, if there was any
graceful way of doing it,” said Terry. “I’m afraid this is not going to
be the pleasantest of parties.”
Public-domain text, read in full here on John Shaqi.
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