The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
In a preceding chapter I have explained a remarkable fallacy of sight
which takes place in the stereoscope when we interchange the binocular
pictures, that is, when we place the right-eye picture on the left
side, and the left-eye picture on the right side. The objects in the
foreground of the picture are thus thrown into the background, and,
_vice versa_, the same effect, as we have seen, takes place when we
unite the binocular pictures, in their usual position, by the ocular
stereoscope, that is, by converging the optic axes to a point between
the eye and the pictures. In both these cases the objects are only the
plane representations of solid bodies, and the change which is produced
by their union is not in their form but in their position. In certain
cases, however, when the object is of some magnitude in the picture,
the form is also changed in consequence of the inverse position of
its parts. That is, the drawings of objects that are naturally convex
will appear concave, and those which are naturally concave will appear
convex.
In these phenomena there is no mental illusion in their production. The
two similar points in each picture, if they are nearer to one another
than other two similar points, must, in conformity with the laws of
vision, appear nearer the eye when combined in the common stereoscope.
When this change of place and form does not appear, as in the case of
the human figure, previously explained, it is by a mental illusion that
the law of vision is controlled.
Public-domain text, read in full here on John Shaqi.
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